The Roman Elegiac PoetsA collection of Roman elegiac poets. |
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Seite 17
That this book , which he called Nanno after his darling , occupied a prominent
place as a prototype of Roman elegy in general , and of Propertius and his
Cynthia book in particular , cannot be doubted . " 5 . From this time to the end of
the ...
That this book , which he called Nanno after his darling , occupied a prominent
place as a prototype of Roman elegy in general , and of Propertius and his
Cynthia book in particular , cannot be doubted . " 5 . From this time to the end of
the ...
Seite 28
Vergil , on the other hand , had evidently been a careful student of Catullus , as is
clear not merely from those disputed poems of the so - called Appendix
Vergiliana , but from many parallels in his certainly authentic works . And in
Martial ...
Vergil , on the other hand , had evidently been a careful student of Catullus , as is
clear not merely from those disputed poems of the so - called Appendix
Vergiliana , but from many parallels in his certainly authentic works . And in
Martial ...
Seite 37
14 ) , whom Tibullus called Delia , doubtless because dîdos = planus , and at the
same time suggests her qualities as an inspirer of poetry , from the divine pair
born at Delos . Delia's standing is somewhat obscure . hardly a patrician ,
although ...
14 ) , whom Tibullus called Delia , doubtless because dîdos = planus , and at the
same time suggests her qualities as an inspirer of poetry , from the divine pair
born at Delos . Delia's standing is somewhat obscure . hardly a patrician ,
although ...
Seite 39
The following six little elegies ( 4,7 to 4 , 12 , inclusive " ) , sometimes called
Elegidia like the preceding group , are evidently the work of Sulpicia herself , and
are very interesting and unique in Roman literature as the work of a woman .
The following six little elegies ( 4,7 to 4 , 12 , inclusive " ) , sometimes called
Elegidia like the preceding group , are evidently the work of Sulpicia herself , and
are very interesting and unique in Roman literature as the work of a woman .
Seite 51
Attention should also be called to the skillful arrangement of two or more elegies
of Propertius in various instances . ? In his use of the elegiac distich Propertius
manifests both the skill and the freedom characterizing his work in other respects
.
Attention should also be called to the skillful arrangement of two or more elegies
of Propertius in various instances . ? In his use of the elegiac distich Propertius
manifests both the skill and the freedom characterizing his work in other respects
.
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Amor Apollo appear aqua arma atque Augustus beauty called caput carmina Catullus common contrast Cynthia death deos early edition elegy epigram erat erit especially expression famous fata friends fuit gods Greek haec honor idea illa indicated inter Intr ipse Italy known Lachmann later Latin longa lover manus mihi modo natural nunc original Ovid passage perhaps person poem poet poetic poetry probably Prop Propertius puella quae quam quid quod quoque refers represented Roman Rome saepe seems sense similar sunt taken tamen temple terra thought tibi Tibullus tion Trist usual various Venus verba Verg verse vita writers written
Beliebte Passagen
Seite 218 - I would have thee gone: And yet no further than a wanton's bird ; Who lets it hop a little from her hand, Like a poor prisoner in his twisted gyves, And with a silk thread plucks it back again, So lovingjealous of his liberty.
Seite 104 - of Catullus. 85 Odi et amo. quare id faciam, fortasse requiris. nescio, sed fieri sentio et excrucior. 86 Quintia formosa est multis, mihi candida, longa, recta est. haec ego sic singula confiteor, totum illud " formosa
Seite 97 - 70 Nulli se dicit mulier mea nubere malle quam mihi, non si se luppiter ipse petat. dicit: sed mulier cupido quod dicit amanti, in vento et rapida scribere oportet aqua. 72 Dicebas quondam solum te nosse Catullum, Lesbia, nee prae me
Seite 392 - tibi nomen erit! ille tui vates operis, tua fama, Tibullus ardet in extructo, corpus inane, rogo. ecce, puer Veneris fert eversamque pharetram et fractos arcus et sine luce facem. adspice, demissis ut eat miserabilis alis pectoraque infesta tundat aperta manu ! excipiunt lacrimas sparsi per colla capilli, oraque singultu concutiente sonant. fratris in Aeneae sic illum funere dicunt
Seite 408 - dique relinquendi, quos urbs habet alta Quirini, este salutati tempus in omne mihi! 35 et quamquam sero clipeum post vulnera sumo, attamen hanc odiis exonerate fugam caelestique viro, quis me deceperit error, dicite, pro culpa ne scelus esse putet, ut quod vos scitis, poenae quoque sentiat auctor: 40 placato possum non miser esse deo.
Seite 150 - errat ad obscuros pallida turba lacus. quam potius laudandus hie est quem prole parata 40 occupat in parva pigra senecta casa ! ipse suas sectatur oves, at filius agnos, et calidam fesso conparat uxor aquam. sic ego sim, liceatque caput candescere canis, temporis et prisci facta referre senem. 45 interea Pax arva colat. Pax
Seite 239 - Nor hath Love's mind of any judgment taste ; Wings and no eyes figure unheedy haste : And therefore is Love said to be a child, Because in choice he is so oft beguiled.
Seite 133 - vagus ignotis repetens conpendia terris 40 presserat externa navita merce ratem. illo non validus subiit iuga tempore taurus, non domito frenos ore momordit equus, non domus ulla fores habuit, non fixus in agris, qui regeret certis finibus arva, lapis. 45 ipsae mella dabant quercus, ultroque ferebant
Seite 417 - fama, parentales, si vos mea contigit, umbrae, et sunt in Stygio crimina nostra foro : scite, precor, causam — nec vos mihi fallere fas est — 90 errorem iussae, non scelus, esse fugae. manibus hoc satis est. ad vos, studiosa, revertor, pectora, qui vitae quaeritis acta meae. iam mihi canities pulsis melioribus annis