Caxton (1422) to Walton (1593)Dodd, Mead, 1907 |
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Seite 54
... lyrical mood which had produced some charming snatches of English verse in the thirteenth century , and had then almost entirely died away , Chaucer himself having but a faint touch of it . The Earl of Surrey was to some extent a ...
... lyrical mood which had produced some charming snatches of English verse in the thirteenth century , and had then almost entirely died away , Chaucer himself having but a faint touch of it . The Earl of Surrey was to some extent a ...
Seite 152
... lyrical interlude , and classical imagery , no one contributed more perhaps than John Lyly . We shall deal with these predecessors of Shakespeare in a reverse order to that in which we have just enumerated them , commencing with Lyly ...
... lyrical interlude , and classical imagery , no one contributed more perhaps than John Lyly . We shall deal with these predecessors of Shakespeare in a reverse order to that in which we have just enumerated them , commencing with Lyly ...
Seite 167
... lyrical fervour and extravagance of his earlier productions — though the old Marlowesque vein is seen now and again , especially in some of the earlier speeches of Gaveston ( whose sinister influence forms the staple of the plot ) and ...
... lyrical fervour and extravagance of his earlier productions — though the old Marlowesque vein is seen now and again , especially in some of the earlier speeches of Gaveston ( whose sinister influence forms the staple of the plot ) and ...
Seite 185
... lyrical fancy ( admirably criticised by Lowell ) ; The Ruines of Time is an elegiac tribute to the Countess of Pembroke , lamenting the deaths of Sidney , Leicester , and Warwick ; The Tears of the Muses , a lament upon the low state of ...
... lyrical fancy ( admirably criticised by Lowell ) ; The Ruines of Time is an elegiac tribute to the Countess of Pembroke , lamenting the deaths of Sidney , Leicester , and Warwick ; The Tears of the Muses , a lament upon the low state of ...
Seite 187
... lyrical measures , but is written for the most part in a modified Spenserian stanza , a stanza considerably injured , how- ever , by the omission of Spenser's seventh line . He retains Spenser's allegorical method and many of his ...
... lyrical measures , but is written for the most part in a modified Spenserian stanza , a stanza considerably injured , how- ever , by the omission of Spenser's seventh line . He retains Spenser's allegorical method and many of his ...
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Häufige Begriffe und Wortgruppen
A. H. Bullen allegory appeared Bacon beauty Ben Jonson Bible Bishop blank verse born called Cambridge Canterbury Canterbury Tales Caxton century character Charles Chaucer chronicle Church classical comedy contemporary court death Dekker died Donne drama dramatists Earl early edition Edward Elizabethan England English poetry essays Faerie Faerie Queene famous Fletcher folio France French George George Whetstone Gorboduc Henry VIII Herbert honour humour imitation Italian James John Jonson King King's later Latin licence literary literature London Lord Lyly lyrical Marlowe metre moral noble original Oxford passion pastoral plays poems poet poetic popular printed probably prose published Puritan quarto Queen reign rhyme Richard satire scholar seems Shake Shakespeare Shepheards Calender Sidney Sir Thomas song sonnets Spenser stage story Stratford style theatre Thomas Campion tion Titus Andronicus tragedy translation vols William writing written wrote Wynkyn de Worde
Beliebte Passagen
Seite 98 - Christ was the word that spake it; He took the bread and brake it ; And what the word did make it, That I believe and take it.
Seite 400 - Complete Angler; or, The Contemplative Man's Recreation : being a Discourse of Rivers, Fishponds. Fish and Fishing, written by IZAAK WALTON ; and Instructions how to Angle for a Trout or Grayling in a clear Stream, by CHARLES COTTON.
Seite 361 - Since I am coming to that holy room Where, with Thy choir of saints for evermore, I shall be made Thy music; as I come I tune the instrument here at the door, And what I must do then, think here before.
Seite 240 - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James!
Seite 182 - I labour to pourtraict in Arthure, before he was king, the image of a brave knight, perfected in the twelve private morall vertues, as Aristotle hath devised, the which is the purpose of these first twelve bookes...
Seite 165 - From jigging veins of rhyming mother wits And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms And scourging kingdoms with his conquering sword.
Seite 222 - This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England...
Seite 382 - Whoe'er she be, That not impossible she That shall command my heart and me...
Seite 249 - It had bene a thing, we confesse, worthie to have bene wished, that the author himselfe had liv'd to have set forth and overseen his owne writings; but since it hath bin ordain'd otherwise, and he by death departed from that right...
Seite 217 - He had, by a misfortune common enough to young fellows, fallen into ill company, and amongst them, some that made a frequent practice of deer-stealing, engaged him more than once in robbing a park that belonged to Sir Thomas Lucy, of Charlecote, near Stratford.