The Gift of Fire: Aggression and the Plays of Christopher MarloweP. Lang, 1995 - 225 Seiten Critics have complained that Christopher Marlowe's plays lack «wholeness» or «completeness». This book presents a fresh alternative to familiar textual explanations, or to psychological explanations that focus primarily on Marlowe's homosexuality. Instead, the author centers on Marlowe's aggressiveness as a disruptive force in his creative process, while discussing aggression's thematic implications in his major works. After a review of biographical data, aggression theories, and creative process theory, the study innovatively suggests that as Marlowe moved through his dramatic production he tried several strategies to control his aggression and channel it into his artistic process, thus giving increased, if imperfect, formal control to The Jew of Malta, Dr. Faustus, and Edward II. |
Im Buch
Ergebnisse 1-3 von 19
Seite 177
... Gaveston out of the realm when they can no longer tolerate his preenings and arrogance . Again , it is Mortimer , the man Edward already sees as his rival for the Queen , who must be implored to acquiesce to Gaveston's repeal , and at ...
... Gaveston out of the realm when they can no longer tolerate his preenings and arrogance . Again , it is Mortimer , the man Edward already sees as his rival for the Queen , who must be implored to acquiesce to Gaveston's repeal , and at ...
Seite 180
... Gaveston mixes sensuality with revenge . The sensuality includes the physical pleasure Gaveston hopes to bring Edward by means of " sweet speeches , comedies , and pleasing shows " ( one thinks of Faustus ) and other erotic delights ...
... Gaveston mixes sensuality with revenge . The sensuality includes the physical pleasure Gaveston hopes to bring Edward by means of " sweet speeches , comedies , and pleasing shows " ( one thinks of Faustus ) and other erotic delights ...
Seite 181
... Gaveston by challenging the nobles and taking his fill despite them , in another and more complete way , he adulterates his pleasure by mixing it with the humiliating rejections and chastisements he receives from the peers as an answer ...
... Gaveston by challenging the nobles and taking his fill despite them , in another and more complete way , he adulterates his pleasure by mixing it with the humiliating rejections and chastisements he receives from the peers as an answer ...
Inhalt
Acknowledgments | 1 |
Christopher Marlowe | 11 |
11 | 28 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
according achieve action activity acts actually aggression anxiety appears artistic attempts authority Barabas becomes Canterbury castration cause character child Christopher concerning connected create creation creative cruelty death describes desire destroy destructive Dido drama earlier Edward elements Elizabethan emotional Equally evidence experience express fact fantasy father Faustus fear feelings figure final finds force frustration Gaveston gives hand homosexual human identity imagination important impulse individual instinct internal Jew of Malta John kind king Kuriyama limited lives Marlowe Marlowe's material matter means mind mother nature notion objects pain parents pattern perversion physical play play's playwright pleasure plot position psychological punishment puts reality regard relationship remarks result revenge role seems sense sexual shape shows sisters stage structure suffering suggests Tamburlaine Thomas true underlying University writes Zenocrate