Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 206
... traitor as much as it is by the sovereign because the traitor , who turns back against his origins in the political body , repeats the unimaginable act required of every subject who would lay the soul bare and conceive it as something ...
... traitor as much as it is by the sovereign because the traitor , who turns back against his origins in the political body , repeats the unimaginable act required of every subject who would lay the soul bare and conceive it as something ...
Seite 211
... traitor suggests , however , that the judgment is motivated out of a more thoroughgoing awareness of the relation between signs and power , an awareness the traitor holds in common with the king . HENRY : Uncle of Exeter , Enlarge the ...
... traitor suggests , however , that the judgment is motivated out of a more thoroughgoing awareness of the relation between signs and power , an awareness the traitor holds in common with the king . HENRY : Uncle of Exeter , Enlarge the ...
Seite 212
... traitor recognizes that he is forever con- signed to miss his own treacherous destiny : “ And now he found too late that he had in the first place betrayed him- self . " " 38 The traitor's vastly overdetermined recognition is crucial ...
... traitor recognizes that he is forever con- signed to miss his own treacherous destiny : “ And now he found too late that he had in the first place betrayed him- self . " " 38 The traitor's vastly overdetermined recognition is crucial ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words