Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 192
... Theatrical creations , Shakespeare's commoners live in the Elizabethan present rather than the medieval past of his historical kings and noblemen . The Athenian gentry in Midsummer Night's Dream have names like Demetrius and Lysander ...
... Theatrical creations , Shakespeare's commoners live in the Elizabethan present rather than the medieval past of his historical kings and noblemen . The Athenian gentry in Midsummer Night's Dream have names like Demetrius and Lysander ...
Seite 194
... theatrical creations who surrounded Prince Hal in the Henry IV plays and the identity of the church robber ( who , like the twenty - five common English soldiers killed at Agincourt , was mentioned , but not named , in the chronicles ) ...
... theatrical creations who surrounded Prince Hal in the Henry IV plays and the identity of the church robber ( who , like the twenty - five common English soldiers killed at Agincourt , was mentioned , but not named , in the chronicles ) ...
Seite 420
... theatrical pos- sibilities , to facilitate the incorporation of ' strangeness ' . The first sign of that transition is a sudden accession of theatrical plurality , with a wide and diversified range of characters and techniques suddenly ...
... theatrical pos- sibilities , to facilitate the incorporation of ' strangeness ' . The first sign of that transition is a sudden accession of theatrical plurality , with a wide and diversified range of characters and techniques suddenly ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words