Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 21
... sexual conquest is destined to be greeted by the jeering of his intended tar- get : Thou canst not hit it , hit it , hit it , Thou canst not hit it , my good man and the even more threatening consequences of his own sexual inadequacy ...
... sexual conquest is destined to be greeted by the jeering of his intended tar- get : Thou canst not hit it , hit it , hit it , Thou canst not hit it , my good man and the even more threatening consequences of his own sexual inadequacy ...
Seite 116
... sexual advantage of women , a sex whose representatives created them in the first place ; a man's sexuality is a sin against his origin . But men mar women's creation , that is , they destroy women's being , in doing the sexual deed ...
... sexual advantage of women , a sex whose representatives created them in the first place ; a man's sexuality is a sin against his origin . But men mar women's creation , that is , they destroy women's being , in doing the sexual deed ...
Seite 272
... sexual power are played out par- ticularly close to the terms of office , of place . Who occu- pies what offices , military and sexual , how long and how well they hold them , how they gain or lose them : these questions arise so ...
... sexual power are played out par- ticularly close to the terms of office , of place . Who occu- pies what offices , military and sexual , how long and how well they hold them , how they gain or lose them : these questions arise so ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words