Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 58
... sense may this be a nature , except in the paradoxical sense that its nature is to be without a nature ? Rosalind and Celia do not settle the argument but only set out the terms of a confusion . Orlando the natural gentle- man and Corin ...
... sense may this be a nature , except in the paradoxical sense that its nature is to be without a nature ? Rosalind and Celia do not settle the argument but only set out the terms of a confusion . Orlando the natural gentle- man and Corin ...
Seite 227
... sense of emblematic tragedy . As a sam- pling of imagery , I should like to look at two themes : blood and the sea . These images have a special importance in this play and help to define its imaginative life . Titus An- dronicus is ...
... sense of emblematic tragedy . As a sam- pling of imagery , I should like to look at two themes : blood and the sea . These images have a special importance in this play and help to define its imaginative life . Titus An- dronicus is ...
Seite 403
... sense of the miraculous hangs over the scene , but if Thaisa's recovery strikes the onlookers- and the audience as a kind of miracle , it happens through the wisdom of a man who uses medical means de- rived from natural rather than ...
... sense of the miraculous hangs over the scene , but if Thaisa's recovery strikes the onlookers- and the audience as a kind of miracle , it happens through the wisdom of a man who uses medical means de- rived from natural rather than ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words