Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 205
... scene is not simply an object of knowledge ; it is a vivid and immediate re - enactment of power . At the same time , the theatricality of the scene explains the spectators ' privilege ; for Foucault , seeing as opposed to knowing ...
... scene is not simply an object of knowledge ; it is a vivid and immediate re - enactment of power . At the same time , the theatricality of the scene explains the spectators ' privilege ; for Foucault , seeing as opposed to knowing ...
Seite 400
... scene prepares for Scene 8 , when Helicanus shows both his loyalty to Pericles and his concern for the king- dom , a scene which without such preparation seems to in- trude awkwardly into the Pentapolis sequence . For that reason , it ...
... scene prepares for Scene 8 , when Helicanus shows both his loyalty to Pericles and his concern for the king- dom , a scene which without such preparation seems to in- trude awkwardly into the Pentapolis sequence . For that reason , it ...
Seite 401
... scene , and their eventual reunion at the end of the play , are to have their full impact . In this scene , Simonides thanks Pericles ' for your sweet music this last night ' ( Scene 9 , 24 ) . The Oxford editors comment : ' A ...
... scene , and their eventual reunion at the end of the play , are to have their full impact . In this scene , Simonides thanks Pericles ' for your sweet music this last night ' ( Scene 9 , 24 ) . The Oxford editors comment : ' A ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words