Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 202
... political texts such as Leviathan , where the " person " -identity as such - is placidly defined in just such irreducibly theatrical terms . At the same time , however , in a tragedy such as King Lear , with its dramatized terror ...
... political texts such as Leviathan , where the " person " -identity as such - is placidly defined in just such irreducibly theatrical terms . At the same time , however , in a tragedy such as King Lear , with its dramatized terror ...
Seite 220
... political detail without offending the Queen : and Vice- Chancellors , as we all know , have to be very tender of the susceptibilities of their political mistresses . More impor- tant from our point of view is the fact that this ...
... political detail without offending the Queen : and Vice- Chancellors , as we all know , have to be very tender of the susceptibilities of their political mistresses . More impor- tant from our point of view is the fact that this ...
Seite 434
... political weapon . Prospero's preoccupation with the politics of spectacle is shattered when he realizes that the proper stage management of the lower - class conspiracy is much more important to his overall project . Ferdinand , rather ...
... political weapon . Prospero's preoccupation with the politics of spectacle is shattered when he realizes that the proper stage management of the lower - class conspiracy is much more important to his overall project . Ferdinand , rather ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words