Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... never words were music to thine ear , That never object pleasing in thine eye , That never touch well welcome to thy hand , • That never meat sweet - savor'd in thy taste , Unless I spake , or look'd , or touch'd , or carv'd to thee ...
... never words were music to thine ear , That never object pleasing in thine eye , That never touch well welcome to thy hand , • That never meat sweet - savor'd in thy taste , Unless I spake , or look'd , or touch'd , or carv'd to thee ...
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... never appears on stage . His name is William Silence . Finally , there is that other schoolboy William , the one we meet in Merry Wives of Windsor , the inhabitant of another country village rich with the closely observed details of ...
... never appears on stage . His name is William Silence . Finally , there is that other schoolboy William , the one we meet in Merry Wives of Windsor , the inhabitant of another country village rich with the closely observed details of ...
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... never come to growth . . . ' ( 1058-62 ) The assumption of pregnancy gives Lucrece's argument a practical basis . When she is speaking to Collatine at the end of the poem , she makes an important distinction be- tween mind and body ...
... never come to growth . . . ' ( 1058-62 ) The assumption of pregnancy gives Lucrece's argument a practical basis . When she is speaking to Collatine at the end of the poem , she makes an important distinction be- tween mind and body ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words