Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 367
... human cere- mony and custom that modern anthropology and semio- tics have been busy rediscovering . Without the complex signals of our interrelationships , human individuality has no meaning . In these lines the full power of the play's ...
... human cere- mony and custom that modern anthropology and semio- tics have been busy rediscovering . Without the complex signals of our interrelationships , human individuality has no meaning . In these lines the full power of the play's ...
Seite 444
... human ones : his studies have removed him from the pale of mankind and he knows that he must re- turn to Italy , human as he is , to be once again the Duke of Milan . 20 At the beginning of the play , in his long , embarrassed con ...
... human ones : his studies have removed him from the pale of mankind and he knows that he must re- turn to Italy , human as he is , to be once again the Duke of Milan . 20 At the beginning of the play , in his long , embarrassed con ...
Seite 446
... human touch ; Caliban had been happy both when he had been his own master and when he had re- ceived and returned sociable love . But for Prospero Cali- ban has suddenly become subhuman and , therefore , can no longer respond to ...
... human touch ; Caliban had been happy both when he had been his own master and when he had re- ceived and returned sociable love . But for Prospero Cali- ban has suddenly become subhuman and , therefore , can no longer respond to ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words