Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 75
... Cressida . While the playtext suggests that , as a relatively silent spectator , Cressida occupies a potentially dominant position , theatrical practice consis- tently limits and circumscribes her , perpetuating the structures of male ...
... Cressida . While the playtext suggests that , as a relatively silent spectator , Cressida occupies a potentially dominant position , theatrical practice consis- tently limits and circumscribes her , perpetuating the structures of male ...
Seite 76
... Cressida's " to - be - looked - at - ness " and which limit ( primarily through cuts ) her voice . To the ex- tent that these looking relations afford Cressida relative independence from the hegemony of the male gaze , they also free a ...
... Cressida's " to - be - looked - at - ness " and which limit ( primarily through cuts ) her voice . To the ex- tent that these looking relations afford Cressida relative independence from the hegemony of the male gaze , they also free a ...
Seite 80
... Cressida's body , positioning her as she is written , not as she writes . But Shakespeare's playtext also offers a further instance of Cressida that is , an instance which once again seems designed to fetishize her absent body , censor ...
... Cressida's body , positioning her as she is written , not as she writes . But Shakespeare's playtext also offers a further instance of Cressida that is , an instance which once again seems designed to fetishize her absent body , censor ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words