Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 303
... Cordelia toward the end of the play , helping it to come full circle , specifies precisely a " centu- ry " of men to search for the old king ( 4. 4. 6 ) . III The divisions into nothing , repeated over and over again , require nothing ...
... Cordelia toward the end of the play , helping it to come full circle , specifies precisely a " centu- ry " of men to search for the old king ( 4. 4. 6 ) . III The divisions into nothing , repeated over and over again , require nothing ...
Seite 313
... Cordelia , seen as love's em- bodiment , changes relatively little in the course of the play and therefore invites emblematic reading . Put another way , she appears to exist in a world of being rather than becoming - thus , Lear ...
... Cordelia , seen as love's em- bodiment , changes relatively little in the course of the play and therefore invites emblematic reading . Put another way , she appears to exist in a world of being rather than becoming - thus , Lear ...
Seite 314
... Cordelia's acquies- cence to the game she earlier refused makes hers the more dynamic part , even as she seems to embody " heart , " if not truth , most fully . Indeed , Cordelia's question , " Shall we not see these daughters and these ...
... Cordelia's acquies- cence to the game she earlier refused makes hers the more dynamic part , even as she seems to embody " heart , " if not truth , most fully . Indeed , Cordelia's question , " Shall we not see these daughters and these ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure ment mind moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words