 | Royal Society of Arts (Great Britain) - 1791 - 906 Seiten
...fome water, when the colours are obferved to be growing dry. In painting with this compofition, the colours blend without difficulty, when wet; and even when dry, the tints may eafily be united by means of a brufh, and a very fniall quantity of fair water. When the painting is... | |
 | Royal Society of Arts (Great Britain) - 1807 - 864 Seiten
...put some water when the colours are observed to be growing dry. In painting with this composition the colours blend without difficulty • when wet, and...small quantity of fair water. When the painting is fmished, put some white wax into a glazed earthern vessel over a slow fire, and when melted, but not... | |
 | 1808 - 476 Seiten
...some water ;when the colours are observed to be growing dry. In painting with this composition the colours blend without difficulty when wet, and even...some white wax into a glazed earthen vessel over a slow fire, and when melted, but not boiling, with a hard brush cover the painting with the wax, and... | |
 | William Nicholson - 1808 - 910 Seiten
...when when the colours are observed to be growing dry. In paint- 6r"w" d'7iraf whh this composition the colours blend without difficulty when wet, and even...when dry the tints may easily be united by means of a brash and a very small quantity of fair water. When the painting is finished, put some white wax into... | |
 | Edward T W. Polehampton - 1815 - 712 Seiten
...put some water when the colours are observed to be growing dry. In painting with this composition the colours blend without difficulty when wet, and even...some white wax into a glazed earthen vessel over a slow fire, and when melted, but not boiling, with a hard brush cover the painting with the wax ; and... | |
 | Edward Polehampton - 1815 - 710 Seiten
...put some water when the colours are observed to be growing dry. In painting with this composition the colours blend without difficulty when wet, and even...some white wax into a glazed earthen vessel over a slow fire, and when melted, but not boiling, with a hard brush cover the painting with the wax ; and... | |
 | 1819 - 440 Seiten
...some water when the colours are observed to be growing dry. In painting with this composition, the colours" blend without difficulty when wet, and even...some white wax into a glazed earthen vessel over a slow fire,. and when melted, but not boiling, with a hard brush cover the -painting, with the wax,... | |
 | Maria Eliza Ketelby Rundell - 1819 - 430 Seiten
...some water when the colours are observed to be growing dry. In painting with this composition, the colours blend without difficulty when wet, and even...quantity of fair water. When the painting is finished, putsome white wax into a glazed earthen vessel over a slow fire, and when melted, but not boiling,... | |
 | John Mason Good - 1819 - 822 Seiten
...put some water when the colours are observed (o be growing dry- In painting with this composition the colours blend without difficulty when wet, and even when dry the tints may easily be united by uieans of a brush and a vi ry small quantity of fair water, \Yhrn the panning is finished, put some... | |
 | Colin MacKenzie - 1821 - 724 Seiten
...some water when the colours are observed to be growing dry. In painting v/ith this composition the colours blend without difficulty when wet ; and even...united by means of a brush and a very small quantity of clear water. When the painting is finished, put some white wax into a glazed earthen vessel over a... | |
| |
... water. When the painting is finished, put some white wax into a glazed earthen vessel over a slow fire, and when melted, but not boiling, with a hard brush cover the painting with the wax, and when cold... 
