Milton's Samson agonistes and Lycidas, with notes etc., by J. Hunter, Band 451870 |
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Seite vi
... Chorus , or company of men of his own tribe , who condole his miseries , extenuate his fault , and conclude with a solemn vindication of Divine Justice . So that , at the conclusion of the first act , there is no design laid , no ...
... Chorus , or company of men of his own tribe , who condole his miseries , extenuate his fault , and conclude with a solemn vindication of Divine Justice . So that , at the conclusion of the first act , there is no design laid , no ...
Seite vii
... Chorus till their dialogue is interrupted , first by a shout of triumph , and after- wards by screams of horror and agony . As they stand de- liberating where they shall be secure , a man who had been present at the show enters , and ...
... Chorus till their dialogue is interrupted , first by a shout of triumph , and after- wards by screams of horror and agony . As they stand de- liberating where they shall be secure , a man who had been present at the show enters , and ...
Seite viii
... Chorus which to a cer- tain degree seems to border upon pedantry and affectation ; he premises that the measure is indeed of all sorts , but I must take leave to observe , that in some places it is no measure at all , or such at least ...
... Chorus which to a cer- tain degree seems to border upon pedantry and affectation ; he premises that the measure is indeed of all sorts , but I must take leave to observe , that in some places it is no measure at all , or such at least ...
Seite 3
... chorus of heavenly harpings and song between . Heretofore men in highest dignity have la- boured not a little to be thought able to compose a tragedy . Of that honour Dionysius the elder was no less ambitious , than before of his ...
... chorus of heavenly harpings and song between . Heretofore men in highest dignity have la- boured not a little to be thought able to compose a tragedy . Of that honour Dionysius the elder was no less ambitious , than before of his ...
Seite 4
... Chorus is of all sorts , called by the Greeks Mono- strophic , or rather Apolelymenon , without regard had to Strophe , Antistrophe , or Epode , which were a kind of stanzas framed only for the music , then used with the Chorus that ...
... Chorus is of all sorts , called by the Greeks Mono- strophic , or rather Apolelymenon , without regard had to Strophe , Antistrophe , or Epode , which were a kind of stanzas framed only for the music , then used with the Chorus that ...
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Milton's Samson Agonistes and Lycidas, with Notes Etc., by J. Hunter Professor John Milton Keine Leseprobe verfügbar - 2016 |
Milton's Samson Agonistes and Lycidas, with Notes Etc. , by J. Hunter John Milton Keine Leseprobe verfügbar - 2013 |
Häufige Begriffe und Wortgruppen
adverbial affliction allusion ancient Antistrophe Arethusa Arethuse arms Baal-zebub bewail blind brigandine called Caphtor captive Cataphracts Chor Chorus clause Comus Dagon Dalila dark death deeds deliverance Denbighshire DOUBLE ENTRY dread embost enemies Eshtaol Etham EXAMINATION-QUESTIONS in BOOK-KEEPING expression eyes fame father favour fear feast flock flower foes fool fountain friends Gath Gaza glorious glory Greek Harapha hast hath head Heaven hence hither honour hope imitation Israel's JOHN HUNTER Judges xiv Judges xvi lamentation Logarithms lords Lycidas Manoa means Mess Milton Mincius mind misery MONODY mortal Mount Ephraim Muse Nazarite never noun numerous Ortygia Ovid Paradise Lost pastoral peace perhaps Philistines poem poet poetry prison PROGRESSIVE EXERCISES reproach sacred Sams Samson Agonistes says secret Shaksp shalt shame shepherd sight sorrow Spenser strength tears thee Theocritus thine thou art thought thy hand thyself tragedy tribe verb Virgil vows Warton winds words
Beliebte Passagen
Seite 84 - And all their echoes, mourn. The willows and the hazel copses green, Shall now no more be seen Fanning their joyous leaves to thy soft lays. As killing as the canker to the rose, Or taint-worm to the weanling herds that graze, Or frost to flowers, that their gay wardrobe wear When first the white-thorn blows; Such, Lycidas, thy loss to shepherd's ear.
Seite 89 - Return, Alpheus, the dread voice is past That shrunk thy streams ; return, Sicilian Muse, And call the vales, and bid them hither cast Their bells, and flowerets of a thousand hues. Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honied showers, And purple all the ground with vernal flowers.
Seite 83 - For we were nursed upon the self-same hill, Fed the same flock, by fountain, shade, and rill.
Seite 76 - Nothing is here for tears, nothing to wail Or knock the breast; no weakness, no contempt, Dispraise, or blame; nothing but well and fair, And what may quiet us in a death so noble.
Seite 92 - And hears the unexpressive nuptial song In the blest kingdoms meek of joy and love. There entertain him all the Saints above, In solemn troops, and sweet societies, That sing, and singing in their glory move, And wipe the tears for ever from his eyes.
Seite 82 - Bitter constraint and sad occasion dear Compels me to disturb your season due: For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
Seite 85 - Alas! what boots it with incessant care To tend the homely slighted shepherd's trade, And strictly meditate the thankless Muse? Were it not better done as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
Seite 90 - And purple all the ground with vernal flowers. Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears ; Bid amaranthus all his beauty shed, And daffodillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
Seite 91 - Where the great Vision of the guarded mount Looks toward Namancos and Bayona's hold, — Look homeward, Angel, now, and melt with ruth ; And, O ye dolphins, waft the hapless youth.
Seite 88 - Last came, and last did go, The pilot of the Galilean lake ; Two massy keys he bore, of metals twain...