Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 177
... rhetoric of identity as difference to the rhetoric of seeming as masking or appropriating the place of difference . By invoking this structure in order to articulate the roles played by Joan and by Margaret , I do not wish to argue that ...
... rhetoric of identity as difference to the rhetoric of seeming as masking or appropriating the place of difference . By invoking this structure in order to articulate the roles played by Joan and by Margaret , I do not wish to argue that ...
Seite 187
... rhetoric of those fantasies in an act of violence , Margaret dismantles patrilineal systems of connection . This is the threat posed by the amazonian in 3 Henry VI : the play does not attack the conventions that de- fine women's roles ...
... rhetoric of those fantasies in an act of violence , Margaret dismantles patrilineal systems of connection . This is the threat posed by the amazonian in 3 Henry VI : the play does not attack the conventions that de- fine women's roles ...
Seite 188
... rhetoric of sovereignty , he does so through an essentialist logic that is newly fragile , his contested position as male heir figuring the play's detachment of referentiality from men . In response to Warwick's " Injurious Margaret ...
... rhetoric of sovereignty , he does so through an essentialist logic that is newly fragile , his contested position as male heir figuring the play's detachment of referentiality from men . In response to Warwick's " Injurious Margaret ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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