Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 90
Seite 99
... representation as a performance value that these preferences were inverted and Shakespearean theater aspired to the con- dition of opera ? You don't go to hear Joan Sutherland's Norma or Placido Domingo's Otello or Maria Callas's Tosca ...
... representation as a performance value that these preferences were inverted and Shakespearean theater aspired to the con- dition of opera ? You don't go to hear Joan Sutherland's Norma or Placido Domingo's Otello or Maria Callas's Tosca ...
Seite 149
... representation as it is raised in these history plays is not merely an aesthetic or epistemo- logical one . It goes to the root of politics itself , where understanding and action intersect . The serious po- litical actor must fight to ...
... representation as it is raised in these history plays is not merely an aesthetic or epistemo- logical one . It goes to the root of politics itself , where understanding and action intersect . The serious po- litical actor must fight to ...
Seite 353
... representation and performance embodied in the transformative shape of the actor . This force is particularly well conveyed by the poetic transforma- tion of the noun boy into a verb . But the self - reflex- ivity that enables us to ...
... representation and performance embodied in the transformative shape of the actor . This force is particularly well conveyed by the poetic transforma- tion of the noun boy into a verb . But the self - reflex- ivity that enables us to ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York