Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 352
... performance , I have suggested that it may not be especially fruitful to approach these sonnets in particular , and early modern Petrarchan poetry in gen- eral , by assuming that their linguistic aims are primarily epistemological . ' I ...
... performance , I have suggested that it may not be especially fruitful to approach these sonnets in particular , and early modern Petrarchan poetry in gen- eral , by assuming that their linguistic aims are primarily epistemological . ' I ...
Seite 353
... performance . Here embodied action and spoken verse provide a double perspective , by which Gorgon and Mars can be presented simultaneously . In a moment of almost ver- tiginous self - reflexivity , we observe a figure , repre- senting ...
... performance . Here embodied action and spoken verse provide a double perspective , by which Gorgon and Mars can be presented simultaneously . In a moment of almost ver- tiginous self - reflexivity , we observe a figure , repre- senting ...
Seite 372
... performance provides the center that holds this capricious dramatic universe together . " 47 David Richards echoed these sentiments , noting that " with- out Mr. Scott's solid and reliable performance , the production would be doomed by ...
... performance provides the center that holds this capricious dramatic universe together . " 47 David Richards echoed these sentiments , noting that " with- out Mr. Scott's solid and reliable performance , the production would be doomed by ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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