Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 278
... male sexual licence and domination , in spite of the sensi- tivity and intelligence which could see and admire Clarissa's own moral intelligence and virtue . ' Thou Nature art my goddess ' , says Edmund , and Lovelace speaks of his ...
... male sexual licence and domination , in spite of the sensi- tivity and intelligence which could see and admire Clarissa's own moral intelligence and virtue . ' Thou Nature art my goddess ' , says Edmund , and Lovelace speaks of his ...
Seite 317
... male culture , and it bears more than a passing resemblance to Polixenes ' idealized male pastoral and Leontes ' tor- mented and fertile imagination . Although the play will move to punish Leontes for his fantasy , and will recon ...
... male culture , and it bears more than a passing resemblance to Polixenes ' idealized male pastoral and Leontes ' tor- mented and fertile imagination . Although the play will move to punish Leontes for his fantasy , and will recon ...
Seite 323
... male - female re- lationships within an economy of male bonds , see Eve Sedgwick , Between Men : English Literature and Male Homosocial Desire ( New York : Columbia University Press , 1983 ) , 24-48 . 32 Plato , The Symposium , in The ...
... male - female re- lationships within an economy of male bonds , see Eve Sedgwick , Between Men : English Literature and Male Homosocial Desire ( New York : Columbia University Press , 1983 ) , 24-48 . 32 Plato , The Symposium , in The ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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