Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 134
... force he recognizes as external to his will shapes his speech : Please it your Majestie , Sir Robert Philip , that Fauconbridge cleaves to thy jawes : It will not out , I cannot for my life Say I am Sonne unto a Fauconbridge . Let land ...
... force he recognizes as external to his will shapes his speech : Please it your Majestie , Sir Robert Philip , that Fauconbridge cleaves to thy jawes : It will not out , I cannot for my life Say I am Sonne unto a Fauconbridge . Let land ...
Seite 135
... force / To dispossess this child which is not his ? " ( K , 1.1.130-31 ) . This show of in- credulity prompts a joking riposte from the Bastard : " Of no more force to dispossess me , sir , / Than was his will to get me , as I think ...
... force / To dispossess this child which is not his ? " ( K , 1.1.130-31 ) . This show of in- credulity prompts a joking riposte from the Bastard : " Of no more force to dispossess me , sir , / Than was his will to get me , as I think ...
Seite 242
... forces the awkwardly sui generis Caesar into the generic catastrophe of the de casibus tradition . He forces a play by ... force and narrative shape . 12 The strong rheto- ric with which such manipulations of omens and prophecy were ...
... forces the awkwardly sui generis Caesar into the generic catastrophe of the de casibus tradition . He forces a play by ... force and narrative shape . 12 The strong rheto- ric with which such manipulations of omens and prophecy were ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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