Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 43
Ralph Berry, Graham Bradshaw, William C. Carroll. fact : Orlando's failure to recognize the melancholy fellow in Arden as his brother . " This failure , however , is not in itself indicative . Leaving aside the fact that the raillery ...
Ralph Berry, Graham Bradshaw, William C. Carroll. fact : Orlando's failure to recognize the melancholy fellow in Arden as his brother . " This failure , however , is not in itself indicative . Leaving aside the fact that the raillery ...
Seite 122
... fact that Oldcastle had a problem with royal authority . Indeed the di- lemma for Foxe must have been all too clear : having opted to follow in Bale's footsteps and retain Old- castle as the type of the Protestant martyr , he also had ...
... fact that Oldcastle had a problem with royal authority . Indeed the di- lemma for Foxe must have been all too clear : having opted to follow in Bale's footsteps and retain Old- castle as the type of the Protestant martyr , he also had ...
Seite 197
... fact , Ulysses exerts no control whatever over the major events of the play . In terms of achieving concrete ends , he is as ineffectual as his commander , and the " policy " he practices , as Thersites remarks , " grows into an ill ...
... fact , Ulysses exerts no control whatever over the major events of the play . In terms of achieving concrete ends , he is as ineffectual as his commander , and the " policy " he practices , as Thersites remarks , " grows into an ill ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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