Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 100
... actor - > Illusionistic 2 3 4 5 actor character / actor character character character actor Metatheatrical negotiations between theatrical presen- tion and dramatic representation go on across the range of the three middle positions ( 2 ...
... actor - > Illusionistic 2 3 4 5 actor character / actor character character character actor Metatheatrical negotiations between theatrical presen- tion and dramatic representation go on across the range of the three middle positions ( 2 ...
Seite 101
... actor's eyes . Theater history is all on the side of monologue against soliloquy on the side of the presentational high jinks of the stand - up Vice , Clown , and Villain cavorting on what they know is a stage before what they ac ...
... actor's eyes . Theater history is all on the side of monologue against soliloquy on the side of the presentational high jinks of the stand - up Vice , Clown , and Villain cavorting on what they know is a stage before what they ac ...
Seite 353
... actor representing her appear as a duck / rabbit figure glimpsed for a moment , impossibly , in both aspects at the same time : CLEOPATRA Nay , ' tis most certain , Iras . Saucy lictors Will catch at us like strumpets , and scald ...
... actor representing her appear as a duck / rabbit figure glimpsed for a moment , impossibly , in both aspects at the same time : CLEOPATRA Nay , ' tis most certain , Iras . Saucy lictors Will catch at us like strumpets , and scald ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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