Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 132
... King John Edward Gieskes , Boston University Michael Goldman , Princeton University. INTRODUCTION Shakespeare's King John , standing between the two te- tralogies , marks a transition in his treatment of political and historical ...
... King John Edward Gieskes , Boston University Michael Goldman , Princeton University. INTRODUCTION Shakespeare's King John , standing between the two te- tralogies , marks a transition in his treatment of political and historical ...
Seite 139
... King John . Philip is " to the manor born " even if he does not know it , while Shakespeare's Bastard can be seen as a parvenu seeking ( with amazing success ) to become such . This distinction reflects the difference between rank and ...
... King John . Philip is " to the manor born " even if he does not know it , while Shakespeare's Bastard can be seen as a parvenu seeking ( with amazing success ) to become such . This distinction reflects the difference between rank and ...
Seite 400
... King Lear 25 : 218 Measure for Measure 2 : 516 The Tempest 45 : 188 Troilus and Cressida 27 : 341 Folland , Harold F. Richard II 6 : 393 Foote , Samuel King Lear 11 : 5 Forbes - Robinson , John King Lear 11 : 21 Ford - Davies , Oliver ...
... King Lear 25 : 218 Measure for Measure 2 : 516 The Tempest 45 : 188 Troilus and Cressida 27 : 341 Folland , Harold F. Richard II 6 : 393 Foote , Samuel King Lear 11 : 5 Forbes - Robinson , John King Lear 11 : 21 Ford - Davies , Oliver ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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