Practical Illustrations of Rhetorical Gesture and ActionSherwood, Neely and Jones, 1822 - 393 Seiten |
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Seite 14
... movements , and its desires , as occasional motives and causes . It would be ridi- culous to make a scrupulous and faithful enume- ration of the former ; for every one knows that sleep closes the eyelids . There are but two counsels to ...
... movements , and its desires , as occasional motives and causes . It would be ridi- culous to make a scrupulous and faithful enume- ration of the former ; for every one knows that sleep closes the eyelids . There are but two counsels to ...
Seite 19
... movement of the head , which in- dicates a wish to dwell on such or such a word : all these means may be employed to aid the elu- cidation of a particular idea . The rule by which this kind of action should be governed is the same to ...
... movement of the head , which in- dicates a wish to dwell on such or such a word : all these means may be employed to aid the elu- cidation of a particular idea . The rule by which this kind of action should be governed is the same to ...
Seite 20
... you all at once , I shall reserve the general reflections which are to be made on the gestures and movements of the human body for another epistle . LETTER IV . On Gesture picturesque - and Gesture expressive. 20 ILLUSTRATIONS OF.
... you all at once , I shall reserve the general reflections which are to be made on the gestures and movements of the human body for another epistle . LETTER IV . On Gesture picturesque - and Gesture expressive. 20 ILLUSTRATIONS OF.
Seite 21
... expression to be discovered . The coun- tenance is the principal seat of the movements of the soul - the most eloquent parts of the visage А are the eyes , the eyebrows , the forehead GESTURE AND ACTION . 21 LETTER IV. ...
... expression to be discovered . The coun- tenance is the principal seat of the movements of the soul - the most eloquent parts of the visage А are the eyes , the eyebrows , the forehead GESTURE AND ACTION . 21 LETTER IV. ...
Seite 23
... movement of the eye . This movement is sometimes so strik- ingly marked that the most stupid lackey can read in it the satisfaction or the anger of his mas- ter . But though these movements of the vision- ary nerves may be easily ...
... movement of the eye . This movement is sometimes so strik- ingly marked that the most stupid lackey can read in it the satisfaction or the anger of his mas- ter . But though these movements of the vision- ary nerves may be easily ...
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Practical Illustrations of Rhetorical Gesture and Action Johann Jacob Engel,Henry Siddons Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary Cymbeline declamation degree desire drama elevated equally example excite expression exterior eyes fear give grief hand head heart ideas imitation Jones Nov 1821 kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature Neely & Jones neral object observation opinion orator oratorical declamations Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pub by Sherwood Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment Sherwood Neely signs sion situation soft solely soul speak species spectators sublime tears theatre theatrical Thespis thing tion tone traits tranquil truth verse versification violent vivacity whilst whole wish words
Beliebte Passagen
Seite 45 - O, it offends me to the soul, to hear a robustious, periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise.
Seite 134 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Seite 133 - Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast, 8 but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd / No; let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee 9 Where thrift may follow fawning.
Seite 47 - Nor do not saw the air too much with your hand, thus: but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
Seite 321 - I'll curee thee with my last, my parting breath, And keep the courage of my life, in death ; Then boldly venture on that world unknown : It cannot use me worse than this has done.
Seite 306 - Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been consulted on the Wapping docks and the Gravesend tunnel ; and who has now in hand two inventions which will render him immortal — the one is, converting saw-dust into deal boards, and the other is, a plan of cleaning rooms by a steam engine — and, Farmer, I mean to give prizes for industry — I'll have a ploughing match.
Seite 262 - ... of music, which, in running over all the notes, immediately loses the sound when the breath ceases; but rather resembles a string-instrument, where, after each stroke, the vibrations still retain some sound, which gradually and insensibly decays.
Seite 305 - I must give this rustic some idea of my consequence [aside] . You must know, Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been...
Seite 283 - towards the house-rent, buildings, scaffolding, and making of frames for scenes ; one for a provision of habits, properties, and scenes, for a supplement of the said theatre ; and seven to maintain all the women that are to perform or represent women's parts, in tragedies, comedies, &c., and in consideration of creating and establishing his actors to be a company, and his pains and expenses for that purpose for many years.
Seite 285 - ... heads, bags, and court swords. The general effect must have been considerably impaired by such a distinction ; and with an actor of less ability, the illusion would have been weakened, if not destroyed : but while Garrick acted, attention was employed on him, and him alone; all exterior objects were put to flight by his transcendant genius.