HistoricismRoutledge, 01.03.2004 - 240 Seiten Historicism is the essential introduction to the field, providing its readers with the necessary knowledge, background and vocabulary to apply it in their own studies. Paul Hamilton's compact and comprehensive guide: * explains the theory and basics of historicism |
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... implies no judgements on those omitted. 1 2 3 4 5 6 7 8 9 0 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 INTRODUCTION The protagonists of progress in historical understanding are always 34 sELECTIVE bIbLIOGRAPHY.
... implies no judgements on those omitted. 1 2 3 4 5 6 7 8 9 0 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 INTRODUCTION The protagonists of progress in historical understanding are always 34 sELECTIVE bIbLIOGRAPHY.
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Hamilton Paul, Paul Hamilton. INTRODUCTION. The protagonists of progress in historical understanding are always isolated individuals who are led by such historical convulsions as wars and revolutions to put new questions. Thucydides was ...
Hamilton Paul, Paul Hamilton. INTRODUCTION. The protagonists of progress in historical understanding are always isolated individuals who are led by such historical convulsions as wars and revolutions to put new questions. Thucydides was ...
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... progress, we still cannot do without some idea of redemption. Its theological overtones, no doubt embarrassing to critical theorists, belong to a language they are obliged to use. So this book follows Theodor Adorno, Walter Benjamin and ...
... progress, we still cannot do without some idea of redemption. Its theological overtones, no doubt embarrassing to critical theorists, belong to a language they are obliged to use. So this book follows Theodor Adorno, Walter Benjamin and ...
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... progress of the soul. In both cases, the contradictory recourse to art of a philosopher who has just condemned art as intellectually and morally disreputable implicates history in fiction. Plato's justification of myth here is that it ...
... progress of the soul. In both cases, the contradictory recourse to art of a philosopher who has just condemned art as intellectually and morally disreputable implicates history in fiction. Plato's justification of myth here is that it ...
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