Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those PlaysLongman, Brown, Green, and Longmans, 1847 - 384 Seiten |
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Seite ix
... False Acting of the two Principal Characters 175 V. CHARACTERS IN AS YOU LIKE IT ' : - 1. Rosalind and Orlando , before their meeting in the Forest , 199 2. Rosalind and Orlando in the Forest of Arden 212 3. Rosalind with Phebe , and ...
... False Acting of the two Principal Characters 175 V. CHARACTERS IN AS YOU LIKE IT ' : - 1. Rosalind and Orlando , before their meeting in the Forest , 199 2. Rosalind and Orlando in the Forest of Arden 212 3. Rosalind with Phebe , and ...
Seite xx
... false prepossessions of his readers again and again , with persevering , certain , and decisive effect . But the power of the most inspired actor - vivid and electric as it is- though occasionally darting conviction upon opposing ...
... false prepossessions of his readers again and again , with persevering , certain , and decisive effect . But the power of the most inspired actor - vivid and electric as it is- though occasionally darting conviction upon opposing ...
Seite xxiii
... rendered to a great intellectual artist . For the account of her Iphigenia in Aulis , see all the Dublin journals of Monday , November 30th , 1846 . the literary expositor in eradicating false con- ceptions which the PREFACE . xxiii.
... rendered to a great intellectual artist . For the account of her Iphigenia in Aulis , see all the Dublin journals of Monday , November 30th , 1846 . the literary expositor in eradicating false con- ceptions which the PREFACE . xxiii.
Seite xxiv
... false con- ceptions which the stage itself has implanted or confirmed . The author's reasons for dwell- ing especially , in these essays , upon the leading female characters of Shakespeare , he gave in the first of the series of papers ...
... false con- ceptions which the stage itself has implanted or confirmed . The author's reasons for dwell- ing especially , in these essays , upon the leading female characters of Shakespeare , he gave in the first of the series of papers ...
Seite 54
... false con- viction in the husband's mind . What says Iachimo himself on this point ? - My practice so prevail'd , That I return'd with simular proof enough To make the noble Leonatus mad , By wounding his belief in her renown With ...
... false con- viction in the husband's mind . What says Iachimo himself on this point ? - My practice so prevail'd , That I return'd with simular proof enough To make the noble Leonatus mad , By wounding his belief in her renown With ...
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Häufige Begriffe und Wortgruppen
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm conception cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage matter Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee tion true Tybalt weird sisters wife woman words youth
Beliebte Passagen
Seite 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
Seite 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Seite 336 - It was the lark, the herald of the morn; No nightingale. Look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops.
Seite 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
Seite 145 - Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace, and great prediction Of noble having, and of royal hope, That he seems rapt withal; to me you speak not: If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
Seite 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
Seite 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
Seite 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.
Seite 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
Seite 310 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.