Met. Is there no voice more worthy than my own, To sound more sweetly in great Cæsar's ear, For the repealing of my banish'd brother? Bru. I kiss thy hand, but not in flattery, Cæsar; Desiring thee, that Publius Cimber may Have an immediate freedom of repeal. Cæs. What, Brutus! Pardon, Cæsar; Cæsar, pardon: As low as to thy foot doth Cassius fall, To beg enfranchisement for Publius Cimber. Cæs. I could be well mov'd, if I were as you; The skies are painted with unnumber'd sparks; 999 "as when he said, in the person of Cæsar, one speaking to him, 'Cæsar, thou dost me wrong,' he replied, 'Cæsar did never wrong but with just cause." But, as Collier has remarked, "It is very evident that Ben Jonson was only speaking from memory, 'shaken (as he confesses in the same work) with age now, and sloth."" [Some editors think the passage stood originally: "Cæsar did never wrong but with just cause, nor 50 60 70 That I was constant Cimber should be banish'd, hold of his arm. He is then stabbed by several other conspirators, and last by MARCUS BRUTUS. Cæs. Et tu, Brute? Then fall, Cæsar. [Dies. The Senators and People retire in confusion. Cin. Liberty! Freedom! Tyranny is dead! — Run hence, proclaim, cry it about the streets. Cas. Some to the common pulpits, and cry out, "Liberty, freedom, and enfranchisement!" Bru. People, and Senators! be not affrighted. Bru. Where 's Publius? And Cassius too. Cin. Here, quite confounded with this mutiny. Cæsar's Should chance 72 constant, fixed. Cf. 1. 60. (R) 78 The stage direction was made up in the last century from the accounts of the assassination given by Plutarch and Suetonius. The folio has only, They stab Cæsar. (w). Et tu, Brute? These words, though without classical authority, were traditionally attributed to Cæsar, being found in the True 80 Tragedy of Richard, Duke of York, and in Nicholson's Acolastus After Wit (1600). 83 ambition's debt is paid, i. e. Cæsar has paid the penalty for his ambition. (R) 84 pulpit, elevated platform. Latin, pulpitum. (R) 86 mutiny, tumult. (R) |