Some Account of the English Stage: From the Restoration in 1660 to 1830, Band 8H.E. Carrington, 1832 |
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Seite 5
From the Restoration in 1660 to 1830 John Genest. - Act 1st scene 1st - this play was not only well acted , but gotten up with much care - the Bishops were dressed in ... Scene 3d . Lord Sands says " They've all new C. G. 1805-1806 . 5.
From the Restoration in 1660 to 1830 John Genest. - Act 1st scene 1st - this play was not only well acted , but gotten up with much care - the Bishops were dressed in ... Scene 3d . Lord Sands says " They've all new C. G. 1805-1806 . 5.
Seite 6
... Scene 4th . Cavendish gives a particular account of the Banquet - he differs but little from Shakspeare , except in telling us , that Wolsey mistook Sir Edward Neville for the King - he adds that Lord Sands was the King's Chamberlain ...
... Scene 4th . Cavendish gives a particular account of the Banquet - he differs but little from Shakspeare , except in telling us , that Wolsey mistook Sir Edward Neville for the King - he adds that Lord Sands was the King's Chamberlain ...
Seite 7
... Scene 2d . " See , the King , " is from the prompt- book of 1773 - there is no particular harm in such little additions to the original text , but why make them ? Enter Wolsey and Campeius with a commission . Burnet in his History of ...
... Scene 2d . " See , the King , " is from the prompt- book of 1773 - there is no particular harm in such little additions to the original text , but why make them ? Enter Wolsey and Campeius with a commission . Burnet in his History of ...
Seite 8
... scene he should not be dressed as a Bishop , he was not made Bishop of Winchester till Dec. 5 1531 , after Wolsey's death- this scene is supposed to pass in 1528 when Cam- peius came into England - the King absolutely gained Campeius to ...
... scene he should not be dressed as a Bishop , he was not made Bishop of Winchester till Dec. 5 1531 , after Wolsey's death- this scene is supposed to pass in 1528 when Cam- peius came into England - the King absolutely gained Campeius to ...
Seite 10
... Scene 3d . If Kemble had any authority for chang- ing Shakspeare's Old Lady into Lady Denny , he should have pointed it out in a note — if he had none , his caprice was inexcusable . Scene 4th . The King concludes the act with an ...
... Scene 3d . If Kemble had any authority for chang- ing Shakspeare's Old Lady into Lady Denny , he should have pointed it out in a note — if he had none , his caprice was inexcusable . Scene 4th . The King concludes the act with an ...
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1st app 3d act 4th act Abbott alteration Bannister Baron Barrymore Bartley Bath Bengough Betty Beverley Blanchard Booth Capt Castle character Charles Chatterley Conway Cooke Coriolanus Count daughter Davenport Davison Dowton Duke Egerton Elliston Emery Emily Falstaff Farce father Fawcett Gibbs Glover Hamlet Harley Henry 4th Honey Moon Iago Isabella Jane Shore John Johnston Jones Jordan Julia Juliet Julius Cæsar Kean Kemble acted King Lady Macbeth Liston Lord Lovegrove Macready marry Mathews Merchant of Venice Miss Bolton Miss Brunton Miss Duncan Miss Foote Miss Jameson Miss Kelly Miss O'Neill Miss Smith Munden Murray Never acted night Opera Orger Othello Oxberry Penley piece Pizarro play Pope Powell printed Queen revived Richard 3d Romeo Romeo and Juliet says scene lies School for Scandal servant Shakspeare Siddons acted Simmons stage Stanley Terry theatre times-this Tokely Wallack Warde Weston wife written Wroughton Young
Beliebte Passagen
Seite 229 - The truth is that the spectators are always in their senses and know from the first act to the last that the stage is only a stage and that the players are only players.
Seite 13 - Well, well, Master Kingston," quoth he, "I see the matter against me how it is framed; but if I had served God as diligently as I have done the king, he would not have given me over in my grey hairs.
Seite 229 - He that without diminution of any other excellence shall preserve all the unities unbroken, deserves the like applause with the architect who shall display all the orders of architecture in a citadel without any deduction from its strength. But the principal beauty of a citadel is to exclude the enemy, and the greatest graces of a play are to copy nature and instruct life.
Seite 307 - In the course of the evening he thus gave his opinion upon the merits of some of the principal performers whom he remembered to have seen upon the stage. 'Mrs. Porter in the vehemence of rage, and Mrs. Clive in the sprightliness of humour, I have never seen equalled. What Clive did best, she did better than Garrick; but could not do half so many things well ; she was a better romp than any I ever saw in nature.
Seite 229 - The necessity of observing the unities of time and place arises from the supposed necessity of making the drama credible. The critics hold it impossible, that an action of months or years can be possibly believed to pass in three hours ; or that the spectator can suppose himself to sit in the...
Seite 578 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, "Would he had blotted a thousand," which they thought a malevolent speech.
Seite 364 - Reg. Art thou not he to whom I told my name, and didst thou not say thine was — "Hunts. Oh blessed be the name that then thou told'st — it has been ever since my charm, and kept me from distraction. But, may I ask how such sweet excellence as thine could be hid in such a place? "Reg. Alas, I know not — for such as thou I never saw before, nor any like myself. "Hunts. Nor like thee ever shall — but would'st thou leave this place, and live with such as I am?
Seite 397 - I have stood firm for the corps, into which I enrolled myself, and never disgraced my colours by abandoning the cause of the legitimate comedy, to whose service I am sworn, and in whose defence I have kept the field for nearly half a century...
Seite 265 - I danced forward ; but it struck home, and here, and in an instant. Be such mere women, who with shrieks and outcries can vow a present end to all their sorrows: yet live to court new pleasures, and outlive them. They are the silent griefs which cut the heartstrings; let me die smiling.
Seite 572 - The New Inn: or, the Light Heart, a Comedy. As it was never Acted, but most negligently Played by some, the KING'S SERVANTS; and more squeamishly beheld and censur'd by others, the KING'S SUBJECTS, 1629.