The TatlerWarne, 1888 |
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Seite vi
... 151 28 , 1710 152 99 30 , 1710 • Beauty Unadorned Immortality of the Soul 153 April 1 , 1710 A Musical Interpretation of Talk * Additional " Tatler . ' No. Date . Subject . 155 April 6 , 1710 vi ESSAYS SELECTED FROM THE TATLER .
... 151 28 , 1710 152 99 30 , 1710 • Beauty Unadorned Immortality of the Soul 153 April 1 , 1710 A Musical Interpretation of Talk * Additional " Tatler . ' No. Date . Subject . 155 April 6 , 1710 vi ESSAYS SELECTED FROM THE TATLER .
Seite 27
... beauty and efficacy , had it been pretended to by Mr. Steele . " Yet this statement is but half the truth . The stripping off the " mask " may have had some connection with the extinction of the Tatler , but we fancy that in Steele's ...
... beauty and efficacy , had it been pretended to by Mr. Steele . " Yet this statement is but half the truth . The stripping off the " mask " may have had some connection with the extinction of the Tatler , but we fancy that in Steele's ...
Seite 35
... beauty of Clarissa is soft , that of Chloe piercing . When you look at Clarissa , you see the most exact harmony of feature , complexion , and shape ; you find in Chloe nothing extraordinary in any one of those particulars , but the ...
... beauty of Clarissa is soft , that of Chloe piercing . When you look at Clarissa , you see the most exact harmony of feature , complexion , and shape ; you find in Chloe nothing extraordinary in any one of those particulars , but the ...
Seite 36
... beauty which enters the heart with a certain fami- liarity , and cheats it into a belief that it has received a lover as well as an object of love . The force of their different beauties is seen also in the effects it makes on their ...
... beauty which enters the heart with a certain fami- liarity , and cheats it into a belief that it has received a lover as well as an object of love . The force of their different beauties is seen also in the effects it makes on their ...
Seite 54
... beauty . His complexion was fair , but his countenance manly ; his stature of the tallest , his shape the most exact and though in all his limbs he had a proportion as delicate as we see in the works of the most skilful statuaries , his ...
... beauty . His complexion was fair , but his countenance manly ; his stature of the tallest , his shape the most exact and though in all his limbs he had a proportion as delicate as we see in the works of the most skilful statuaries , his ...
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acquaintance ADDISON admired agreeable Anne Oldfield appear Arthur Mainwaring beauty behaviour Bickerstaff body called character Cicero coffee-house Colley Cibber confess conversation countenance court creature Dæmon Daniel Burgess delight Demosthenes desire discourse dress endeavour entertainment Esquire eyes fair sex father favour figure fortune Gascon gave gentleman give goddess hand happy hassock head heard heart honour hour humour imagination ISAAC BICKERSTAFF Julius Cæsar kind lady learned letter living look lover madam mankind manner marriage matter mind morning nature never night observed occasion offended OVID Palamede paper particular passed passion persons petticoat pleased pleasure present proper reason satisfaction shew speak STEELE talk Tatler tell temper thing thought THURSDAY tion Tipstaff told town TUESDAY turned Vicar of Bray VIRG virtue whole wife woman words young