ITALY IN THE NINETEENTH CENTURY, CONTRASTED WITH ITS PAST CONDITION IN THREE VOLUMES. VOL. II1848 |
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Ergebnisse 1-5 von 45
Seite vii
... Piazza della Trinita di Monti , and the Landscape Painters of Italy . - A Word on the Sculptors . - The Church , and Daniele da Volterra's Picture . Palace of the Medici . - French School of Art . The Pin- cian Hill its Attractions ...
... Piazza della Trinita di Monti , and the Landscape Painters of Italy . - A Word on the Sculptors . - The Church , and Daniele da Volterra's Picture . Palace of the Medici . - French School of Art . The Pin- cian Hill its Attractions ...
Seite viii
... Piazza Barberini.- The Fountain.- Capuchin Convent and Church . Its famous Picture of the Archangel Michael . The varied Occupants of a Palace in Rome . - Palazzo Barberini - Guido's famous Portrait of Beatrice Cenci.- Shelley's Tragedy ...
... Piazza Barberini.- The Fountain.- Capuchin Convent and Church . Its famous Picture of the Archangel Michael . The varied Occupants of a Palace in Rome . - Palazzo Barberini - Guido's famous Portrait of Beatrice Cenci.- Shelley's Tragedy ...
Seite ix
... Piazza di Sopra Minerva and its fearful Reminiscences . - Piazza Ma- dama . — Piazza Navona - Picturesque Scene . - Statue of Pas- quin.- A pleasant Cobbler.- Church of St. Andrea della Valle . An Italian Sermon . - Padre Ventura , the ...
... Piazza di Sopra Minerva and its fearful Reminiscences . - Piazza Ma- dama . — Piazza Navona - Picturesque Scene . - Statue of Pas- quin.- A pleasant Cobbler.- Church of St. Andrea della Valle . An Italian Sermon . - Padre Ventura , the ...
Seite 44
... piazza , an Egyptian obelisk raising its tall , graceful proportions to the skies , ancient even when Cæsar Augustus tore it from Heliopolis to adorn the Imperial City , a sparkling fountain at its base , the bright waters gushing into ...
... piazza , an Egyptian obelisk raising its tall , graceful proportions to the skies , ancient even when Cæsar Augustus tore it from Heliopolis to adorn the Imperial City , a sparkling fountain at its base , the bright waters gushing into ...
Seite 45
... Piazza del Popolo , but it is ob- scured from view by the Via Ripetta , which runs close by the banks of the river in a south - westerly direction . The bulk of the inhabitants dwell in the space between the Corso and Old Tiber , and ...
... Piazza del Popolo , but it is ob- scured from view by the Via Ripetta , which runs close by the banks of the river in a south - westerly direction . The bulk of the inhabitants dwell in the space between the Corso and Old Tiber , and ...
Häufige Begriffe und Wortgruppen
accused admiration adorned amongst ancient Ancient Rome antiquity appeared arches artist ascend assassins Barberini Basilica Beatrice Cenci beautiful behold believe Bernardo bishops body Cæsar called Campagna Canina cardinal castle Christian church Cicero Claude columns confession crime cross death descend dome edifice Emperor Esquiline Esquiline Hill Etruscan exhibition eyes famous favour feet fountains Francesco gardens gardens of Sallust genius Giacomo Guerra heard heart Holiness innocent Italian Italy Jesuits judge justice labours landscape painters Lucrezia marble Marzio ment mind modern monk Monte monument morning nature never Nicolas Poussin Niebuhr noble obelisk Olimpio painting palace Papal passed Perugia Peter's Petrella Piazza picture Pincian Hill Pompey Porta Porta Pia portico Poussin priest prison Quirinal hill Raffaelle Rimini Roman Rome ruins Salvator Rosa scene seen sketch spot stand statue stood streets temple Tiber tion torture tribunals Vatican Via Sacra Villa walk walls
Beliebte Passagen
Seite 19 - Alas, the lofty city ! and alas, The trebly hundred triumphs ! and the day When Brutus made the dagger's edge surpass The conqueror's sword in bearing fame away ! Alas for Tully's voice, and Virgil's lay, And Livy's pictured page ! But these shall be Her resurrection ; all beside— decay. Alas, for Earth, for never shall we see That brightness in her eye she bore when Rome was free ! LXXXIII.
Seite 10 - Then farewell, Horace; whom I hated so, Not for thy faults, but mine; it is a curse To understand, not feel thy lyric flow, To comprehend, but never love thy verse...
Seite 179 - Then Peter opened his mouth, and said, "Of a truth I perceive that God is no respecter of persons: But in every nation he that feareth him, and worketh righteousness, is accepted with him.
Seite iii - With venerable grandeur mark the scene. Could nature's bounty satisfy the breast, The sons of Italy were surely blest. Whatever fruits in different climes...
Seite 17 - Whatever withdraws us from the power of our senses; whatever makes the past, the distant, or the future predominate over the present — advances us in the dignity of thinking beings.
Seite 31 - mid the assassins' din, At thy bathed base the bloody Caesar lie, Folding his robe in dying dignity, An offering to thine altar from the queen Of gods and men, great Nemesis! did he die, And thou, too, perish, Pompey ? have ye been Victors of countless kings, or puppets of a scene ? LXXXVIII.
Seite 229 - It was at Rome, on the 15th of October 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind.
Seite 148 - They were put to death with exquisite cruelty, and to their sufferings Nero added mockery and derision. Some were covered with the skins of wild beasts, and left to be devoured by dogs ; others were nailed to the cross ; numbers were burnt alive ; and many, covered orer with inflammable matter, were lighted up, when the day declined, to serve as torches during the night.
Seite 16 - I AM in Rome ! Oft as the morning ray Visits these eyes, waking at once I cry, Whence this excess of joy ? What has befallen me ? And from within a thrilling voice replies, Thou art in Rome ! A thousand busy thoughts li nsh on my mind, a thousand images ; And I spring up as girt to run a race...
Seite 145 - I consider this mighty structure as a monument of the insufficiency of human enjoyments. A king whose power is unlimited and whose treasures surmount all real and imaginary wants is compelled to solace, by the erection of a pyramid, the satiety of dominion and tastelessness of pleasures, and to amuse the tediousness of declining life by seeing thousands labouring without end, and one stone for no purpose laid upon another.