 | John Dryden - 1808 - 436 Seiten
...unities of time, place, and action, more exactly observed, than perhaps the English theatre requires. Particularly, the action is so' much one, that it...every act concluding with a turn of it. The greatest error in the contrivance seems to he in the person of Octavia ; for, though I might use the privilege... | |
 | John Dryden, Walter Scott - 1821 - 430 Seiten
...unities of time, place, and action, more exactly observed, than perhaps the English theatre requires. Particularly, the action is so much one, that it is...main design, and every act concluding with a turn oC.it. The greatest error in the contrivance seems to be in the person of Octavia ; for, though I might... | |
 | John Dryden, Walter Scott - 1821 - 430 Seiten
...more exactly observed, than perhaps the English theatre requires. Particularly, the action is so jnuch one, that it is the only of the kind without episode,...every act concluding with a turn of it. The greatest error in the contrivance seems to be in the person of Octavia ; for, though I might use the privilege... | |
 | William Shakespeare - 1907 - 644 Seiten
...Unities of Time, Place and Action, more exactly observed, than, perhaps, the English Theater requires. Particularly, the Action is so much one, that it is...the person of Octavia : For, though I might use the priviledge of a Poet, to introduce her into Alexandria, yet I had not enough consider^, that the compassion... | |
 | Hippolyte Adolphe Taine - 1871 - 570 Seiten
...unities of time, place, and action, more exactly observed, than perhaps the English theatre requires. Particularly, the action is so much one, that it is...design, and every act concluding with a turn of it. ' He did more ; he abandoned the French ornaments, and returned to national tradition : ' In my style... | |
 | Hippolyte Taine - 1871 - 568 Seiten
...unities of time, place, and action, more exactly observed, than perhaps the English theatre requires. Particularly, the action is so much one, that it is...design, and every act concluding with a turn of it.' He did more ; he abandoned the French ornaments, and returned to national tradition : ' In my style... | |
 | Hippolyte Taine - 1871 - 572 Seiten
...more exactly observed, than perhaps the English theatre requires. Particularly, the action is so mnch one, that it is the only of the kind without episode,...design, and every act concluding with a turn of it. ' He did more ; he abandoned the French ornaments, and returned to national tradition : ' In my style... | |
 | Hippolyte Taine - 1878 - 518 Seiten
...unities of time, place and action, more exactly observed, than perhaps the English theatre required. Particularly the action is so much one, that it is...design, and every act concluding with a turn of it. **) In my style I have professed to imitate the divine Shakespeare; which that I might perform more... | |
 | Hippolyte Taine - 1883 - 490 Seiten
...time, place, and action, more exactly cbs^e than perhaps the English theatre requires. Particular! the action is so much one, that it is the only of tl kind without episode, or underplot ; every scene in ti tragedy conducing to the main design, and... | |
 | Hippolyte Taine - 1885 - 1108 Seiten
...unities of time, place, and action, more exactly observed, than perhaps the English theatre requires. Particularly, the action is so much one, that it is...; every scene in the tragedy conducing to the main desigu, and every act concluding with a turn of it' He did more ; he abandoned the French ornaments,... | |
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Particularly, the action is so much one, that it is the only of the kind without episode, or underplot ; every scene in the tragedy conducing to the main design, and every act concluding with a turn of it. 
