Thy dim eyes tell a tale, A pitious tale, of vigils; and the trace Changed love! but not alone! I am not what they think me; though my cheek The temple of my youth In the pure shrine of truth. I went into the storm, And mock'd the billows of the tossing sea; Vainly the heart is steel'd In wisdom's armour; let her burn her books! Virtue and virtue's rest, How have they perish'd! Through my onward course The glory and the glow Of the world's loveliness have pass'd away; Is not the damning line Of guilt and grief engraven on me now? And the fierce passion which hath scathed thy brow, Hath it not blasted mine No matter! I will turn To the straight path of duty; I have wrought, At last, my wayward spirit to be taught What it hath yet to learn. Labour shall be my lot; My kindred shall be joyful in my praise; And Fame shall twine for me, in after days, A wreath I covet not. And if I cannot make, Dearest thy hope my hope, thy trust my trust, Yet will I study to be good, and just, And blameless, for thy sake. Thou may'st have comfort yet; Whate'er the sou e from which those waters glide, Forget me--and farewell! But say not that in me new hopes and fears, Indelibly, within, All I have lost is written; and the theme TIME'S CHANGES. I SAW her ncc-so freshly fair And Nature joy'd to view its moulding: Her cheeks' fine hue divinely glowing--Her rosebud mouth-her eyes of jetAround on all their light bestowing: Oh! who could look on such a form, So nobly free, so softly tender, And darkly dream that earthly storm Should dim such sweet, delicious splendour. For in her mien, and in her face, And in her young step's fairy lightness. Naught could the raptured gazer trace But beauty's glow, and pleasure's brightness I saw her twice-an alter'd charm-- Than girlhood's talisman less warm, The very image of its mother; Her thoughtless, sinless look had banish'd, Of girlhood's balmy morn had vanish'd; Lay something softer, fonder, deeper, I saw her thrice-Fate's dark decree As even my reveries portray'd her; The retrospect was scarcely bitter; That every louder mirth is follyA pensiveness, which is not grief, A stillness-as of sunset streaming A fairy glow on flower and leaf, A last time-and unmoved she lay, A glorious mould of fading clay, From whence the spark had fled for ever! I gazed-my breast was like to burst And, as I thought of years departed, The years wherein I saw her first, As moved she in her matron duty, A happy mother, in the blaze Of ripen'd hope, and sunny beautyI felt the chill-I turn'd aside Bleak desolation's cloud came o'er me, And being seem'd a troubled tide, Whose wrecks in darkness swam before me! THE BELLE OF THE BALL. IEARS-years ago-ere yet my dreams Or yawn'd o'er this infernal Chitty; Were in my fowling-piece and filly; In short, while I was yet a boy, I fell in love with Laura Lilly. I saw her at a country ball; There when the sound of flute and fiddle Gave signal sweet in that old hall, Of hands across and down the middle. Hers was the subtlest spell by far Of all that sets young hearts romancing: She was our queen, our rose, our star; And when she danced-oh, heaven, her dancing! Dark was her hair, her hand was white; Her every look, her every smile, Shot right and left a score of arrows; I thought 't was Venus from her isle, I wonder'd where she'd left her sparrows. She talk'd of politics or prayers; Of Southey's prose, or Wordsworth's sonnets; Of daggers or of dancing bears, Of battles, or the last new bonnets; By candle-light, at twelve o'clock, If those bright lips had quoted Locke, I might have thought they murmur'd Litile. I spoke her praises to the moon, I wrote them for the Sunday Journal. Whose colour was extremely hectic ; Her grandmother, for many a year, Had fed the parish with her bounty: Her second cousin was a peer, And lord-lieutenant of the county But titles and the three per cents, And mortgages, and great relations, And India bonds, and tithes and rents, Oh what are they to love's sensations! As Baron Rothschild for the muses. Young blossom in her boudoir fading; She kept an album, too, at home, Well fill'd with all an album's glories; Paintings of butterflies and Rome, Patterns for trimming, Persian stories; Soft songs to Julia's cockatoo, Fierce odes to famine and to slaughter, And autographs of Prince Laboo, And recipes of elder water. And she was flatter'd, worshipp'd, bored, Her steps were watch'd, her dress was noted Her poodle dog was quite adored, Her sayings were extremely quoted. I knew that there was nothing in it; Her heart had thought of for a minute; In phrase which was divinely moulded; A rosebud and a pair of gloves, And Fly Not Yet," upon the river; Some jealousy of some one's heir, Some hopes of dying broken-hearted, A miniature, a lock of hair, The usual vows-and then we parted. We parted-months and years roll'd by We met again four summers after; Our parting was all sob and sighOur meeting was all mirth and laughter; For in my heart's most secret cell, There had been many other lodgers; And she was not the ball-room bells, But only Mrs.Something-Rogra GEORGE DARLEY. (Born 1735-Died 1849) He MR. DARLEY is the author of Sylvia or the May Queen, a poem devoted to summer and the fairies; the Manuscripts of Erdeley; Thomas à Becket, a tragedy; Ethelstan, a chronicle; and other pieces, narrative, lyrical and dramatic. He belongs to a new class of writers, of whom we have elsewhere noticed ROBERT BROWNING, and R. H. HORNE. has shown himself to be a true poet, of an original vein of thought, and an affluent imagination. In the preface to Ethelstan, he says, "I would fain build a cairn, or rude national monument, on some eminence of our Poetic Mountain, to a few amongst the many heroes of our race, sleeping even yet with no memorial there, or one hidden beneath the moss of ages. Ethelstan' is the second stone, Becket' was the first, borne thither by me for this homely pyramid; to rear it may be above my powers, but were it a mere mound of rubbish, it might re main untram led and uns orned, from the sacredness of its purpose." Aside from this object, his works would command respect; but their beau y is marred by an affected quaintness, by novel epithets, and occasional obscurities. His ruggedness of manner, interrupted by a frequent melody of expression, remind us of the old poets, whom he has carefully studied, and well described in one of the richest and most idiomatic specimens of recent prose, his Critical Essay prefixed to Moxon's edition of BEAUMONT and FLETCHER, in which he says, "You find tulips growing out of sandbanks, pluck Hesperian fruit from crab-trees, step from velvet turf upon sharp stubble." No prose or poetry," says a judicious critic in Arcturus, "can be farther from the sonorous school of ADDISON, and nowhere can we find rythmical cadences of greater beauty, than in some occasional passages of DARLEY " And changed their glittering robes with russet weeds, Eth. Wise for themselves they were! Abbot and abbess, side by side, return Eth. I could, even now, sleep to the lullaby Sung by Death's gossip, that assiduous crone, Who hushes all our race!-if one hope fail, One single, life-endearing hope Edg. Dear brother, [brow, Take hope from my content!-though pale this "Tis calm as if she smiled on it, yon Prioress Of heaven's pure nunnery, whose placid cheer O'erlooks the world beneath her; this wren's voice, Though weak, preserveth lightsome toue and tenor, Ne'er sick with joy like the still-hiccupping swallow's, Ne'er like the nightingale's with grief. Believe me Seclusion is the blessedest estate Life owns; wouldst be amongst the bless'd on earth, Hie thither! Eth. Ay-and what are my poor Saxons To do without their king? Edg. Have they not thanes And chiefs? In that too for his years, and grown by exercise Edg. It has been worn Long, long enow! 'Tis time it were put off. Edg. Pour all into my breast! Eth. No! Unbosom'd pain Is half dismiss'd. I'll keep my punishe: with me Edg. Have care of that! There is a way to secret suicide, By crushing the swoln heart until you kill. Eth. Nay, I am jocund; let's to supper! There A king shall be his own house-knight, and serve See what a feast! we Saxons love good cheer! [He takes from a cupboard pulse, bread, and water.} Edg. Ah! when he will but smile, how he ca smile! 'Tis feigning all! this death sits on his bosom A SONG FROM ETHELSTAN. O'ER the wild gannet's bath With beak'd heads peering, O'er the Sun's mirror green O'er the wind's ploughing-field SONG OF THE SUMMER WINDS. Ur the dale and down the bourne, By the grassy-fringed river, Through the murmuring reeds we sweep; Mid the lily-leaves we quiver, To their very hearts we creep. Now the maiden rose is blushing Scarcely knowing how it was. On our weary wings we hie. There of idlenesses dreaming, Scarce from waking we refrain, Moments long as ages deeming Till we're at our play again. THE GAMBOLS OF CHILDREN. Rows of liquid eyes in laughter, Like bright ripples on a river. Flush'd with joy's ethereal spirit, Make your mocks and sly grimaces At love's self, and do not fear it. A VILLAGE BLACKSMITH. HERE he, your law, vociferous wits, Strong son of the sounding anvil, sits; Black and sharp his eyebrow edge, His hand smites heavily as his sledgeAt will he kindles bright discourse, Or blows it out, with blustrous force; The fiery talk, with dominant clamour, Moulds as hot metal with his hammer. Yet this swart sinewy boisterer, His wife and babe sit smiling near, All fairness with all feebleness in her arms, Safe in their innocence and in their charms. SUICIDE. FOOL! I mean not That poor-soul'd piece of heroism, self-slaughteo Oh no! the miserablest day we live There's many a better thing to do than die. THE FAIRIES. SUFFICE o say, that smoother glade, In harvest time, when Love is tipsy, Have you not oft, in the still wind, Fainter than that which seems to roar A chant! a chant! that swoons and swells But mix'd with whoops, and infant laughter, As on a hearty holyday When youth is flush and full of May; Of this sweet clime, to fight with cranes! |