Shakespeare, Aphra Behn and the CanonRoutledge, 21.08.2013 - 352 Seiten A clear introduction to the idea of the canon, exploring the process by which certain works, and not others, receive high cultural status. The work of Shakespeare and Aphra Behn is used to illustrate and challenge this process. |
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ACT IV SCENE actors Adsheartlikins Agincourt Andy Serkis Angellica Antonio Aphra Behn Arden argued audience authors Behn’s BELVILE BLUNT canon Cassio Celia chapter characters Chorus comedy consider contemporary context court critics cultural death defined definitions Desdemona difficult Discussion disguise Dougray Scott drama Duke Elizabethan English example feminist fight figure film final find fine Fiona Shaw fire first fit Florinda FREDERICK French Ganymede gender give Harfleur heaven HELLENA Henry Henry’s Iago Iago’s idea images influence interpretation Jaques kind king language lines literary literature look lover Lucetta male marriage Moretta on’t Orlando Oroonoko Othello PEDRO performance Pistol play’s political Prithee production Restoration comedy Roderigo role Rosalind Rover sense sexual Shakespeare Shakespeare’s plays significant social soliloquy speech stage theatre thee theme there’s Thomaso thou Tony Coe Touchstone tragedy Trevor White Valeria whore WILLMORE woman women words writing