Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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... woman's speech that must unspeak its own resistance and reconstitute female subjectivity into the self - abnegating rhetoric of Kate's fa- mous disquisition on obedience . The cost is Kate's self- deposition , where - in a performance ...
... woman's speech that must unspeak its own resistance and reconstitute female subjectivity into the self - abnegating rhetoric of Kate's fa- mous disquisition on obedience . The cost is Kate's self- deposition , where - in a performance ...
Seite 84
... woman in himself , since Eve was made out of Adam , and this proves that a woman is ' no other substance but another himself ' . For every excellent man , there is an excellent woman , who is ' everie waies his match ' . The treatise ...
... woman in himself , since Eve was made out of Adam , and this proves that a woman is ' no other substance but another himself ' . For every excellent man , there is an excellent woman , who is ' everie waies his match ' . The treatise ...
Seite 205
... woman's body . The bawdy of the lesson , the Princess's helpless rehearsal of gross terms , as Steven Mullaney calls it , confines woman discursively to the sexu- al sphere . 12 The " lesson " moves from sexually unmarked , if ...
... woman's body . The bawdy of the lesson , the Princess's helpless rehearsal of gross terms , as Steven Mullaney calls it , confines woman discursively to the sexu- al sphere . 12 The " lesson " moves from sexually unmarked , if ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York