Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 34
... plot and of the framing device . The siblings of this play , far from being identical twins , are polar opposites who ultimately exchange roles ; and the main play is itself represented as a play within a play . The Two Gentlemen of ...
... plot and of the framing device . The siblings of this play , far from being identical twins , are polar opposites who ultimately exchange roles ; and the main play is itself represented as a play within a play . The Two Gentlemen of ...
Seite 36
... plot as metaphor and those who regard it as literal representation . The first group , for whom the main plot justifies " the will- ing suspension of disbelief , " takes the title at face value and accepts the play as a dramatization of ...
... plot as metaphor and those who regard it as literal representation . The first group , for whom the main plot justifies " the will- ing suspension of disbelief , " takes the title at face value and accepts the play as a dramatization of ...
Seite 196
... plot voices what the unitary state would repress , indeed exactly what the unitary plot would repress . Criticism has delighted in demonstrating the play's aesthetic unity by showing how the comic plot " serves " the historical plot ...
... plot voices what the unitary state would repress , indeed exactly what the unitary plot would repress . Criticism has delighted in demonstrating the play's aesthetic unity by showing how the comic plot " serves " the historical plot ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York