Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 55
... play's levels of self - awareness is impossible- and this may well be the point . Yet insofar as the play comprehends repression on a variety of levels at once , it functions as an example of the thing it " represents , " and so ...
... play's levels of self - awareness is impossible- and this may well be the point . Yet insofar as the play comprehends repression on a variety of levels at once , it functions as an example of the thing it " represents , " and so ...
Seite 209
... play or a tragedy of character ? Many critics agree with Hazlitt that " the part of Richard himself gives the chief interest to the play " ( 1964 , 276 ) , while others feel that the play is " too often read as the tragedy of a private ...
... play or a tragedy of character ? Many critics agree with Hazlitt that " the part of Richard himself gives the chief interest to the play " ( 1964 , 276 ) , while others feel that the play is " too often read as the tragedy of a private ...
Seite 411
... play impresses upon us the theme of misperception in the first scene and then again at every opportunity . As the play opens , two gentlemen reveal that Cymbeline's court is characterized by duplicity : not a courtier , Although they ...
... play impresses upon us the theme of misperception in the first scene and then again at every opportunity . As the play opens , two gentlemen reveal that Cymbeline's court is characterized by duplicity : not a courtier , Although they ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York