Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite xiii
... ( Performance Series ) King Lear Othello Romeo and Juliet Volume 12 ( Performance Series ) The Merchant of Venice A Midsummer Night's Dream The Taming of the Shrew The Two Gentlemen of Verona Volume 13 Shakespearean Criticism Yearbook ...
... ( Performance Series ) King Lear Othello Romeo and Juliet Volume 12 ( Performance Series ) The Merchant of Venice A Midsummer Night's Dream The Taming of the Shrew The Two Gentlemen of Verona Volume 13 Shakespearean Criticism Yearbook ...
Seite 113
... Performance criticism makes us attend to the other Shake- speare : not the poet , maker of play texts , but the director , scripter of performance texts that realise the poet's words in a physical language of gesture and movement ...
... Performance criticism makes us attend to the other Shake- speare : not the poet , maker of play texts , but the director , scripter of performance texts that realise the poet's words in a physical language of gesture and movement ...
Seite 222
... performance within a performance , lay- ers of reality and unreality that are positively Shakespear- ean in their complexity . The device of the Globe Theatre creates what Foster Hirsch calls a " documentarylike texture , " 63 ...
... performance within a performance , lay- ers of reality and unreality that are positively Shakespear- ean in their complexity . The device of the Globe Theatre creates what Foster Hirsch calls a " documentarylike texture , " 63 ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York