Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 36
... metaphor ; and the central metaphor generates others that become the basis for the subplot and for the Inductions . The metaphor itself is not a particularly strong one , because the first element ( Kate the shrew ) is hackneyed and the ...
... metaphor ; and the central metaphor generates others that become the basis for the subplot and for the Inductions . The metaphor itself is not a particularly strong one , because the first element ( Kate the shrew ) is hackneyed and the ...
Seite 39
... metaphor for the human incon- stancy produced by " the chameleon Love " ( II.i.158 ) , which has an apparently endless capacity to " alter " ( II.iv.125 ) and to " deform " ( II.i.59 ) its hapless victims . These transformations figure ...
... metaphor for the human incon- stancy produced by " the chameleon Love " ( II.i.158 ) , which has an apparently endless capacity to " alter " ( II.iv.125 ) and to " deform " ( II.i.59 ) its hapless victims . These transformations figure ...
Seite 41
... metaphor also makes possible , in The Taming of the Shrew , an inter- esting and meaningful subplot , which the simile - based Comedy of Errors lacks . The Two Gentlemen of Verona presses the time - lapse metaphor even further ...
... metaphor also makes possible , in The Taming of the Shrew , an inter- esting and meaningful subplot , which the simile - based Comedy of Errors lacks . The Two Gentlemen of Verona presses the time - lapse metaphor even further ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York