Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 55
... means , " then , is as impossible to contain as who we are ; the same principle of meaning applies equally to play and player , and the assumption of self - identity in ei- ther case no longer applies . The Comedy of Errors stages ...
... means , " then , is as impossible to contain as who we are ; the same principle of meaning applies equally to play and player , and the assumption of self - identity in ei- ther case no longer applies . The Comedy of Errors stages ...
Seite 141
... means , the bish- ops are eking out the King's performance in their minds . They are compelled , in the language of their particular callings , to participate Harry . In the next scene a far more ambiguous means is provided by ...
... means , the bish- ops are eking out the King's performance in their minds . They are compelled , in the language of their particular callings , to participate Harry . In the next scene a far more ambiguous means is provided by ...
Seite 441
... means the most obscure , at least for modern readers . Both are from Hermione's trial scene . The first has Hermione , in the course of her objections to the proceedings , say to Leontes , I appeale To your owne Conscience ( Sir ) ...
... means the most obscure , at least for modern readers . Both are from Hermione's trial scene . The first has Hermione , in the course of her objections to the proceedings , say to Leontes , I appeale To your owne Conscience ( Sir ) ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York