Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 105
... language other than Latin ) and an extra- familial world of learning ( which used Latin ) .35 What Ong doesn't emphasize enough is that the initiation itself participates in the maintenance of the " uninitiated , " those who are ...
... language other than Latin ) and an extra- familial world of learning ( which used Latin ) .35 What Ong doesn't emphasize enough is that the initiation itself participates in the maintenance of the " uninitiated , " those who are ...
Seite 204
... language and stagecraft preserved or consumed the customs and voices of other cultures . The play is notable for what Bakhtin has called heteroglossia , its various voices or linguistic sociality . * Ac- cording to Bakhtin , language is ...
... language and stagecraft preserved or consumed the customs and voices of other cultures . The play is notable for what Bakhtin has called heteroglossia , its various voices or linguistic sociality . * Ac- cording to Bakhtin , language is ...
Seite 387
... language , for when facing the starkness of his misfortune , Pericles refuses to speak and , thus , suppresses a mode of language which has nour- ished a great number of the preceding plays . When the king finally speaks , his language ...
... language , for when facing the starkness of his misfortune , Pericles refuses to speak and , thus , suppresses a mode of language which has nour- ished a great number of the preceding plays . When the king finally speaks , his language ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York