Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
Im Buch
Ergebnisse 1-3 von 84
Seite 29
Joseph C. Tardiff. quiescence of Theseus , seeks to humiliate Hermia by force of law , so Oberon humiliates Titania by force of love - in- idleness . When Titania capitulates , Oberon recants . If the parallels hold , perhaps we can ...
Joseph C. Tardiff. quiescence of Theseus , seeks to humiliate Hermia by force of law , so Oberon humiliates Titania by force of love - in- idleness . When Titania capitulates , Oberon recants . If the parallels hold , perhaps we can ...
Seite 323
... forces . Here is the first anticipation of the " tide " of affairs that will be so dominant in the play . What it points ... force of the constructions placed upon the events . Shakespeare is not so much cynical as skeptical in this play ...
... forces . Here is the first anticipation of the " tide " of affairs that will be so dominant in the play . What it points ... force of the constructions placed upon the events . Shakespeare is not so much cynical as skeptical in this play ...
Seite 326
... force if there ever was one , may of course have " mov'd " not only the plebeians but also the spectators . But the force of this speech lies more accurately in the spectators ' appreciation of its effectiveness even though they know ...
... force if there ever was one , may of course have " mov'd " not only the plebeians but also the spectators . But the force of this speech lies more accurately in the spectators ' appreciation of its effectiveness even though they know ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
26 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York