Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 42
... bearbaiting and theater were culturally isomorphic events . From the architecture that housed them to the or- dinances that inhibited them , the spectacles were consid- ered analogous - if not , to their opponents , identical in their ...
... bearbaiting and theater were culturally isomorphic events . From the architecture that housed them to the or- dinances that inhibited them , the spectacles were consid- ered analogous - if not , to their opponents , identical in their ...
Seite 48
... bearbaiting was formally known as " Cheif Master Overseer and Ruler of all and sin- gular our game pastymes and sportes , that is to saie of all and everie our beares bulles and mastyve dogges . " 53 Sport royal , then , literally ...
... bearbaiting was formally known as " Cheif Master Overseer and Ruler of all and sin- gular our game pastymes and sportes , that is to saie of all and everie our beares bulles and mastyve dogges . " 53 Sport royal , then , literally ...
Seite 50
... bearbaiting , Orsino's version of the myth of Ac- taeon and Diana conveys an emotional situation in violent and bestial terms . He implies that his first view of Olivia was an act of helpless voyeurism . Like Actaeon , who inad ...
... bearbaiting , Orsino's version of the myth of Ac- taeon and Diana conveys an emotional situation in violent and bestial terms . He implies that his first view of Olivia was an act of helpless voyeurism . Like Actaeon , who inad ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York