Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 45
... audiences of stage and stake : Very largely , the audience at the Rose must have been the same as the audience at the Bear- garden , and it is justifiable to assume , from the appeal of the plays , something of the spirit in which that ...
... audiences of stage and stake : Very largely , the audience at the Rose must have been the same as the audience at the Bear- garden , and it is justifiable to assume , from the appeal of the plays , something of the spirit in which that ...
Seite 222
... audience at the opening of the film and also serving " as a cushion for the poetry : the the- atrical framing softens the difference between theater and film while frankly acknowledging it . " 64 It also , undoubt- edly , distracts some ...
... audience at the opening of the film and also serving " as a cushion for the poetry : the the- atrical framing softens the difference between theater and film while frankly acknowledging it . " 64 It also , undoubt- edly , distracts some ...
Seite 321
... audience members to consider not only the power individ- uals have to " move " public and private audiences but also the degree to which men may deceive themselves . He makes his audience perceive that , influenced by other men's ...
... audience members to consider not only the power individ- uals have to " move " public and private audiences but also the degree to which men may deceive themselves . He makes his audience perceive that , influenced by other men's ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York