Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 154
... Richard plays with the crown , the great symbol of rule : to do this evokes a carnival spirit that treats lightly reli- gious vestments and other signs of rule . We begin to won- der what these signs signify . Richard says : " Give me ...
... Richard plays with the crown , the great symbol of rule : to do this evokes a carnival spirit that treats lightly reli- gious vestments and other signs of rule . We begin to won- der what these signs signify . Richard says : " Give me ...
Seite 169
... Richard depends on it and Richmond reaffirms it , the more doubtful it be- comes . In his ironic conservatism , Richard III stands in contrast to his namesake Richard II , who routinely violates , in the later play , the principle of ...
... Richard depends on it and Richmond reaffirms it , the more doubtful it be- comes . In his ironic conservatism , Richard III stands in contrast to his namesake Richard II , who routinely violates , in the later play , the principle of ...
Seite 210
... Richard , because Bolingbroke is treated as a usurper even though his motives are unclear and Richard seems intent upon undoing himself , and because it begins as a critique of Richard but then makes him pre- dominantly a victim by ...
... Richard , because Bolingbroke is treated as a usurper even though his motives are unclear and Richard seems intent upon undoing himself , and because it begins as a critique of Richard but then makes him pre- dominantly a victim by ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York