Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
Im Buch
Ergebnisse 1-3 von 19
Seite 221
... Olivier's filmtext must take this material into account . Expectational Texts and Olivier's Script It might appear that the innovation and success of Olivi- er's Henry V would protect it from critical attack or at least ensure that such ...
... Olivier's filmtext must take this material into account . Expectational Texts and Olivier's Script It might appear that the innovation and success of Olivi- er's Henry V would protect it from critical attack or at least ensure that such ...
Seite 230
... Olivier , On Acting , 275 . 32 Geduld , Filmguide to " Henry V , " 23 . 33 Alexander Walker , Vivien , 130. Olivier writes that in Fire Over England , " I emoted too much , and in the American ver- sion they had to cut one of my scenes ...
... Olivier , On Acting , 275 . 32 Geduld , Filmguide to " Henry V , " 23 . 33 Alexander Walker , Vivien , 130. Olivier writes that in Fire Over England , " I emoted too much , and in the American ver- sion they had to cut one of my scenes ...
Seite 232
... Olivier says , " Mine was white ... and that of the Constable needed to be black , with no other blacks close to him ... Olivier Directs Shakespeare , " 80-81 . 119 Silviria , Olivier and the Art of Film Making , 104 . 120 Ibid . 121 ...
... Olivier says , " Mine was white ... and that of the Constable needed to be black , with no other blacks close to him ... Olivier Directs Shakespeare , " 80-81 . 119 Silviria , Olivier and the Art of Film Making , 104 . 120 Ibid . 121 ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
26 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York