Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 245
... Macbeth seems to have polar- ized around one or other of the poles of Gifford's analysis , ignoring the equivalizing , equivocating effect of that ' is ' . Thus the witches are ' symbolic representations of the un- conscious or half ...
... Macbeth seems to have polar- ized around one or other of the poles of Gifford's analysis , ignoring the equivalizing , equivocating effect of that ' is ' . Thus the witches are ' symbolic representations of the un- conscious or half ...
Seite 249
... Macbeth goes mad , the witches simply disap- pear from the play . Masculine integrity in the drama must be based on a ruthless erasure of the relational nature of that identity . At the end of the play Macbeth is left an empty cipher ...
... Macbeth goes mad , the witches simply disap- pear from the play . Masculine integrity in the drama must be based on a ruthless erasure of the relational nature of that identity . At the end of the play Macbeth is left an empty cipher ...
Seite 451
... Macbeth ambition 3 : 185 , 219 childlessness 3 : 219 , 223 evil influence of Macbeth 3 : 171 , 185 , 191 , 193 , 199 , 262 , 289 , 312 , 318 ; 13 : 502 inconsistencies 3 : 202 mixture of good and evil 3 : 173 , 191 , 213 as a ...
... Macbeth ambition 3 : 185 , 219 childlessness 3 : 219 , 223 evil influence of Macbeth 3 : 171 , 185 , 191 , 193 , 199 , 262 , 289 , 312 , 318 ; 13 : 502 inconsistencies 3 : 202 mixture of good and evil 3 : 173 , 191 , 213 as a ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona discourse drama dream Edgar Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Othello perception Pericles play play's playgoer plot political Posthumus Prince Prospero Queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ University Press Winter's Tale witchcraft witches woman women words York