Shakespearean CriticismJoseph C. Tardiff Gale Research International, Limited, 1992 - 464 Seiten Annotation Beginning with Volume 13 in the series, Shakespeare Criticism has been published as an annual selection of noteworthy contributions to Shakespearean scholarship published during the previous year. Seventeen of the essays in SC19 originally appeared as chapters in books. The 26 journal articles included are drawn from ten different periodicals. Together, these 43 essays provide current assessments of nearly three-quarters of the Shakespeare canon. Addressed to a wide audience, including advanced secondary school students, undergraduate and graduate students, and teachers. Annotation copyright by Book News, Inc., Portland, OR. |
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Seite 300
... Cordelia . He is followed close on his left by a stunned and helpless Kent , in this production the one who rushes in vain to the prison . Lear shouts the rest of his howls in quick succession , angrily , looking first to the right and ...
... Cordelia . He is followed close on his left by a stunned and helpless Kent , in this production the one who rushes in vain to the prison . Lear shouts the rest of his howls in quick succession , angrily , looking first to the right and ...
Seite 302
... Cordelia , the camera insists on Lear's own isolation . The enormity of grief occasioned by the death of his virtuous daughter and by the knowledge of his own part in causing it must be experienced by the king alone . Just as Lear acted ...
... Cordelia , the camera insists on Lear's own isolation . The enormity of grief occasioned by the death of his virtuous daughter and by the knowledge of his own part in causing it must be experienced by the king alone . Just as Lear acted ...
Seite 349
... Cordelia ) are dehumanized by their armor ; and in the funeral cortège at the end , Lear and Cordelia share a bier , their eyes peacefully closed , whereas the bodies of Goneril , Regan , and Edmund are carried separately , with staring ...
... Cordelia ) are dehumanized by their armor ; and in the funeral cortège at the end , Lear and Cordelia share a bier , their eyes peacefully closed , whereas the bodies of Goneril , Regan , and Edmund are carried separately , with staring ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 33 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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