Shakespeare: A Historical and Critical Study with Annotated Texts of Twenty-one PlaysScott, Foresman, 1931 - 1194 Seiten Donated by Sydney Harris. |
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Seite 52
... Probably every historical subject he treated , including Henry VIII , had been put on the stage before he used it . This may not be true in the case of 2 and 3 Henry VI , though nearly all Shakespeare scholars believe that it was ...
... Probably every historical subject he treated , including Henry VIII , had been put on the stage before he used it . This may not be true in the case of 2 and 3 Henry VI , though nearly all Shakespeare scholars believe that it was ...
Seite 67
... probably losing its trilled quality . The short vowels a , e , and i were pro- nounced as at present , although short a was in transition from a in Colorado to a in that . Short o was probably more dis- tinctly an o - sound than it is ...
... probably losing its trilled quality . The short vowels a , e , and i were pro- nounced as at present , although short a was in transition from a in Colorado to a in that . Short o was probably more dis- tinctly an o - sound than it is ...
Seite 318
... probably written in the blank verse manner of King John and Richard II . The popularity of the Oldcastle parts caused Shakespeare to expand them and enrich them in the free prose style with which we are all familiar in the Falstaff ...
... probably written in the blank verse manner of King John and Richard II . The popularity of the Oldcastle parts caused Shakespeare to expand them and enrich them in the free prose style with which we are all familiar in the Falstaff ...
Inhalt
PREFACE | 1 |
SHAKESPEARES EARLY PERIOD | 77 |
TEXT OF FOUR PLAYS FROM THE EARLY PERIOD | 123 |
Urheberrecht | |
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allusion Bardolph blood Boling brother Cæsar Claud comedy cousin dead death dost doth drama Duke Earl Eliz England English Enter Exeunt Exit eyes fair faith Falstaff father fear fool friends gentle gentleman Gentlemen of Verona give Glou grace hand hath hear heart heaven Henry Henry IV plays Henry VI Holinshed honour Juliet Julius Cæsar king lady Leonato live London look lord Love's Labour's Lost Malvolio marry master means mistress never night noble peace Pedro Pist play Poins pray Prince quarto Queen Rich Richard Richard III Romeo Romeo and Juliet SCENE Shake Shakespeare Shylock Sir John Sonnets soul speak stage swear sweet sword tell thee thing thou art thou hast thought Titus Andronicus tongue true Twelfth Night Tybalt unto William Shakespeare wilt word York