An Analytical Approach to World Literature: Criticism, History, and MethodologyShinozaki Shorin, 1959 - 437 Seiten |
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Seite 39
... imagination and literary style . It depends upon History as Art expression , vivid painting , sympathy , grace , and elegance , elevated sentiments or torrential power " ( p . 8 ) . And in this case the picture may be partial or ...
... imagination and literary style . It depends upon History as Art expression , vivid painting , sympathy , grace , and elegance , elevated sentiments or torrential power " ( p . 8 ) . And in this case the picture may be partial or ...
Seite 59
... imagination . Again , this kind of imagination has nothing to do with the meanings of each of the words , phrases , and sentences involved , but is a qualitative content , a presented emotion , a content perceived actually through the ...
... imagination . Again , this kind of imagination has nothing to do with the meanings of each of the words , phrases , and sentences involved , but is a qualitative content , a presented emotion , a content perceived actually through the ...
Seite 336
... imagination , passes judgements among conflicting values , and tries to look into the nature of the goals to be ... imagination in criticism are not the feeling in its raw form or the imagination in its native form . Imagination and ...
... imagination , passes judgements among conflicting values , and tries to look into the nature of the goals to be ... imagination in criticism are not the feeling in its raw form or the imagination in its native form . Imagination and ...
Häufige Begriffe und Wortgruppen
according aesthetic American Literature audience basis beauty believed Beowulf C. H. Herford called Cambridge History century cephalic index Chapter civilization comedy complex consciousness criticism D. H. Lawrence definite dialect elements emotion England English literature environment epic eternal European literature existence experience expression Ezra Pound factors feeling field geographical Greek Herford Hippolyte Taine historical entity History of English history of literature human image human race I. A. Richards idea individual intellect intuition James Joyce Japanese judgement kind knowledge language literary historian means mental climate modern movement national literature nature Nibelungenlied nictophoebia objective period philosophy photophoebia poem poet poetic poetry political possible present principle prose racial Renaissance represented Roman Romanticism scientific sense Shakespeare simple social speaker spirit stage story structure T. S. Eliot theory things thought tion tragedy truth various W. H. Auden words Wordsworth world literature writers