An Analytical Approach to World Literature: Criticism, History, and MethodologyShinozaki Shorin, 1959 - 437 Seiten |
Im Buch
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Seite 65
... feeling it should take up . The only freedom allowed to consciousness Freedom of is that of choosing as its object of attention Consciousness whichever it likes of the given sensation or feel- ing , i . e . that of focussing upon itself ...
... feeling it should take up . The only freedom allowed to consciousness Freedom of is that of choosing as its object of attention Consciousness whichever it likes of the given sensation or feel- ing , i . e . that of focussing upon itself ...
Seite 66
... feeling , i . e . by disowning the feelings that originally should belong to itself . While being very well aware that the idea A corresponds to the idea B , our consciousness may attempt to reject its own existential feeling involved ...
... feeling , i . e . by disowning the feelings that originally should belong to itself . While being very well aware that the idea A corresponds to the idea B , our consciousness may attempt to reject its own existential feeling involved ...
Seite 336
... feeling and imagination in criticism are not the feeling in its raw form or the imagination in its native form . Imagination and feeling employed in criticism are the imagina- tion and the feeling which have been highly disciplined ...
... feeling and imagination in criticism are not the feeling in its raw form or the imagination in its native form . Imagination and feeling employed in criticism are the imagina- tion and the feeling which have been highly disciplined ...
Inhalt
Foreword | 1 |
B The Dimensional Restriction | 10 |
The Scientific Method | 20 |
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Häufige Begriffe und Wortgruppen
According activities aesthetic American attempted audience basis beauty believed called century Chapter classical comes comparative complete consciousness contributed criticism culture definite dialect effects elements emotion England English literature environment Essay established example existence experience explain expression fact feeling field frames French give Greek historian history of literature human idea imagination important individual influence internal intuition Italy John judgement kind knowledge language latter laws literary living major materials means method Middle mind movement nature object observation origin period philosophy poem poet poetic poetry political position possible practical present principle produced prose race reason reference represented result Roman says scientific sense Shakespeare shows simply social spirit stage standard story structure style suggested theme theory things Thomas thought tion tries truth unique universe various whole writers